Word: subjection
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...senior VP in charge who was a professor at Carnegie Mellon, designed it . "For me basic research has to be first and foremost about moving the state of the art forward in computer science. We publish in peer reviewed journals just like professors so that our research is subject to the same purity of process that a university would have," says Rashid. "It's not about doing things that are necessarily going to turn into products-product groups do a pretty good job of that. Researchers are about trying things when you have no idea if they work and seeing...
...stop outside pressure from making actors’ decisions more politically complicated. “The rules have gotten a little more careful,” says Miller, “[The goal of Common Casting is] to let the actor have the most possible freedom and not subject to undue pressure.” Hundreds of people participate in Harvard’s Common Casting every semester, and those involved are not aware of this process existing anywhere else—in campus theater or professional theater. “People would be quite hard pressed to imagine life...
...Case’s style. “Fox Confessor” also features Case’s interpretation of the folk-hymn “John Saw That Number”, a rousing tribute to John the Baptist. Her version of the song is commensurate to its subject: her recording has all the fervor of a Pentecostal choir on Sunday morning. Case’s band keeps things safe but melodically interesting with jangly pianos, lively drums, and bluesy guitars. Case delivers a passionate vocal performance and doubles her own voice to give the impression of a backing chorus?...
...make a wake out of my life / I’ve just got to let you go.” In their video, directors Kirby McClure and Julia Grigorian emulate the production philosophy of Of Montreal by using their abundant technical proficiency to make art about a stupid subject. The approach works well for both parties, but while there’s no other band out there that sounds quite like Of Montreal, there are plenty of quirky animated music videos that look like “Requiem.” Nonetheless, “Requiem?...
...movies contain maps, and they are maps. You have to see and read a movie at the same time.” This fascinating and unconventional way of approaching film studies is rooted in Conley’s longstanding interest in the discipline of cartography. He came to this subject serendipitously—in 1988, frustrated with some aspects of his work, he chanced upon an advertisement for a conference about France and the New World in the 16th century. After attending the conference at Chicago’s Newberry Library, the course of Conley’s work...