Word: subjection
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...What brought you back to a film about the economy? I've been thinking about this for about the entire 20 years I've been making movies. Most of the subject matter all comes back to the simple theme of an economic system that is unfair and unjust, in which a few people with a lot of money are making decisions that cause a lot misery and heartache for millions of people...
...Green Knight,” into modern English verse. Primarily, though, he is a lyric poet, specializing in “lively, mysterious, revelatory” poems, according to English Professor James Simpson, who introduced Armitage at the Woodberry event.In recent years, though, Armitage has turned to the subject of war in his work. In 2008 he published “The Not Dead,” a collection of poems inspired by the testimonies of veterans from the Gulf, Bosnian, and Malayan wars. He is currently contemplating a trip to Afghanistan to produce a documentary...
...little late to be heading out to a party, and sleeps with a poster of his idol, fictional New York Giants star Quantrell Bishop, above his bed. In writer-director Robert Siegel’s new movie “Big Fan,” Paul becomes the unlikely subject of an engaging and darkly humorous character study. Building on his work with 2008’s critically acclaimed “The Wrestler,” Siegel puts a new spin on the culture of athletic obsession, glimpsing into the life of a pathetic fan on the cusp...
...page of a mechanic’s instruction manual. Every detail is its own entity; the horn hangs in space separated by a few inches from the floating steering wheel, and even the wipers are similarly detached from the windscreen. Despite this distancing, the relationship to the complete subject is not lost, but is in fact amplified. Ortega chose the Volkswagen Beetle because it is the quintessential Mexican car. Produced natively, it is the vehicle of choice for taxis, as well as the artist, who once drove the same model himself. Taken apart, the Beetle is not diminished but transformed...
...Z32” on Sunday, a perplexed audience waited in quiet anticipation for the director to approach the Harvard Film Archive podium. The group primarily consisted of salt-and-pepper heads and a handful of students with previous ties to the documentary’s subject: the extensive moral strain on an Israeli soldier after his involvement in the Israeli-Palestinian conflict. But the film did not suggest the outrage one would expect; it instead refused to convey a clear sense of Mograbi’s attitude toward the conflict, whether he found the soldier’s war crimes...