Word: subjectity
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Dates: during 1980-1989
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Although the college is affiliated with theDepartment of Defense, both Bernstein and Lee saidthat scholars are free to say whatever they wishand their work is not subject to review...
...mean to suggest that the protesters, though legitimate in their use of tactics that violate University regulations, should remain immune from future disciplinary action. If they violate University regulations, they subject themselves to disciplinary proceedings, or in some cases outright arrest. In general, the protesters accept such consequences of their actions as well, as long as they receive a fair hearing and a chance to defend themselves. The reason civil disobedience is a popular and successful method of protest is that it violates certain rules, in this case by blocking exits, for the purpose of making a public statement...
Duke Kent-Brown is neither the first nor the last person subject to action by protesters while visiting Harvard. He and others like him should have their right to speak protected. But in guaranteeing that right, the administration must not ignore the option of students to demonstrate their opposition by civil disobedience. Instead, police and other officials should take it upon themselves to assure that a speech reaches its proper conclusion, even if such assurances require negotiation with or removal of demonstrators on the scene. Instead of adopting a defensive, defeatist attitude, officials should enforce freedoms of speech and movement...
...would be hard to think of a more overdue or, in some ways, a more welcome subject for an exhibition than "British Art in the 20th Century," the panorama of 310 works by some 70 artists that is now in its last month (through April 5) at the Royal Academy in London. It will then be in Stuttgart from May 8 to June 9. This is the second in a series of surveys that, under the guiding hand of the academy's exhibitions secretary Norman Rosenthal, are designed to look back on and rethink the history of modern art country...
...siecle is the natural time for summation. But it already seems clear that the Royal Academy (only 30 years ago the last bastion of peevish misunderstanding of modernism) is stealing quite a march on its competitors. The subject of modern British art has never been tried in depth by an American museum. And no matter what quibbles and demurrals one may have about the choice of this work or that name, the Royal Academy has done a wonderful job. No one with half an eye could spend a couple of hours in Burlington House and leave without asking...