Word: subjectity
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Dates: during 1980-1989
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Caro began work on his Texas-size biography of L.B.J. 14 years ago. The choice of subject was a natural progression from his first marathon, The Power Broker (1974), a 1,200-page study of New York City master builder Robert Moses. The Power Broker is an obligatory book for understanding modern urban politics. In turning to L.B.J., Caro shifted his focus from how New York City works to what makes the nation run. The answer is not surprising. As Franklin Roosevelt's factotum Tommy ("the Cork") Corcoran responded when Caro asked how the young L.B.J. gained power, "Money...
...vividly recollected from the old days: Jewish, with springy red hair and a purplish birthmark covering the right half of his face. He is distinguished also by his growing interest in the tribes of Amazonia and their right to survive. The narrator recalls provoking his friend on this subject: "Should 16 million Peruvians renounce the natural resources of three- quarters of their national territory so that 70 or 80 thousand Indians could quietly go on shooting at each other with bows and arrows, shrinking heads and worshipping boa constrictors?" Saul's response is skimpy on particulars but firm in conviction...
...fully accredited public high school, Harvey Milk was the subject of a short-lived controversy when it began classes four years ago. It was founded by the Hetrick-Martin Institute for Lesbian and Gay Youth, a ten-year-old organization established following the brutal gang rape of a gay teenager in a New York City bar. The school is named after Harvey Milk, the gay San Francisco supervisor who was murdered with Mayor George Moscone by a disgruntled former city official...
...schools do to problem kids. "I had a girl who had been told she was stupid at math and refused to study it. I begged her. I said, 'Please, please, please,' until she agreed. Now math is the first thing she wants to do. Other teachers promoted them, but subject matter left them behind...
...Allsburgs, who have no children, now live in Providence, where he teaches illustration at the Rhode Island School of Design. He says his academic immersion in the subject had nothing to do with it, but the 13 pictures he produced for Swan Lake are stylistically among the most orthodox of his career. They could trace their lineage to the Scribner's children's classics of half a century ago, when the pictures of nonpareils like N.C. Wyeth and Maxfield Parrish graced the tissue-covered plates. Still, Van Allsburg retains his special dream aura in the brooding shadows in which...