Word: subjectively
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Dates: during 1960-1969
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...intrusion of politically motivated outside forces" persuaded Gallagher to quit. "A man of peace, a reconciler, a man of compassion must stand aside for a time and await the moment when sanity returns, and brotherhood based on justice becomes a possibility," said Gallagher. Other presidents of public colleges, equally subject to racial strife, could only regard his defeat with foreboding...
...detriment. The tough white whore (Susan G. Pearson) commits suicide offstage out of unrequited love for Johnny, an event that is distinctly implausible. At times the play meanders without a visible sense of direction. Despite such flaws, the drama ticks with menace and, for such an abrasive subject, is unexpectedly and explosively funny. Gordone has expertly oiled the sly and sassy tongues by which black puts down his fellow black, and the cast's phrasing of these expletives is impeccable...
Last week, at the opening of the exhibition of primitive sculpture at the Metropolitan, Rockefeller announced that Director Thomas P. F. Hoving had agreed to merge the Museum of Primitive Art into the Met. Subject to ratification by both sets of trustees, the collection will be housed in a new wing to be built into the south end of the museum. To Rockefeller, the merger fulfilled an ambition that he had cherished since the 1930s. Then, as a youthful trustee of the Met, he had tried to interest its director in starting such a collection on the ground that...
...little insurance hustler from Long Island named Murray King. In the cinéma vérité manner, they track him with camera and sound equipment from his office through some endless conferences to a business vacation at Caesars Palace in Las Vegas, all the while mocking their subject and his legion of clients, chippies and hangers-on. Despite the documentary pretense, it turns out that many of the scenes were staged expressly for the film. Only diehard viewers who survive to the last few frames will get to see the strategically placed disclaimer...
...century ferment, and the principle which has animated today's avant-garde, was that expressionism and impressionism were subsumed by a new language. Schoenberg had termed his achievement the "emancipation of dissonance." Insofar as the avant-garde moves toward the conclusion that music is the audible world itself, subject to its own capricious organization, the responsible avant-garde is esthetically atavistic. Ours is in reality a period of secondary musical change. The contemporary avant-garde is secondary because it prosecutes the logical implication of the earlier innovations. In the brief period from the symphonies of Mahler (beginning...