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...Boston show is full of groupings that allow you to compare how all three artists handled similar subjects. At various times, each of them produced a rendition of the Supper at Emmaus, the story from the New Testament in which the risen Christ reveals himself to a pair of astonished disciples. Titian's came first, in 1533-34, a picture of masterly calm and balance that borrows the stabilizing horizontal format of Leonardo's Last Supper. In 1542 the young Tintoretto took on the same subject and made it a scrum, full of lunging bodies and energies exploding outward...

Author: /time Magazine | Title: Renaissance Venice's Big Men on Canvas | 4/10/2009 | See Source »

...start with a sense of deception, of half-knowledge, preferably with the deck stacked against your protagonist, and then in the course of whatever you’re watching or hearing, you gain a greater, deeper understanding of who that person is.”Toback, like his subject, has something of a bad reputation. Associated in Hollywood with drug cults, hustlers, and gangsters, he makes no attempt to hide his own vices. His first feature film was called “The Gambler”; he penned the screenplay for “Bugsy?...

Author: By Mia P. Walker, CRIMSON STAFF WRITER | Title: Harvard Alum Packs a Punch with 'Tyson' | 4/10/2009 | See Source »

...Inspired by the work of artist Shepard Fairey—best known for his “Hope” poster featuring President Obama—the day-long lecture series provided historical, theoretical, and practical insights into the relationship between design and society. The lectures ranged in subject matter, from the ways in which the Obama campaign used design to the controversy surrounding intellectual property that was sparked by Fairey’s use of an Associated Press photograph in his “Hope” poster. Steven Heller, who has acted as an art director...

Author: By Keshava D. Guha, CONTRIBUTING WRITER | Title: ICA Talk on Social Agency and Design | 4/10/2009 | See Source »

...employ it in their vision.”Thorington agrees, citing her work from the 1980s as an example of the way in which art, on some level, may remain independent of technology despite the possible and frequent unification of the two. “I used science as subject matter within the discipline of radio production,” she explains, “rather than allow that science to create the work.”In addition, artists may worry that a constant influx of other people’s opinions will inundate personal reactions to artwork, thereby...

Author: By Denise J. Xu, CRIMSON STAFF WRITER | Title: The Web and Flow of Art | 4/10/2009 | See Source »

...offer January term programming and to require students who wish to remain in Harvard housing to submit an application demonstrating a “need to be on campus.” Foremost, we’re concerned that requiring students to justify their presence on campus will subject students to real hardship. It will be easy enough for athletes, international students, and thesis writers to present their cases; it will be considerably harder for students who have no readily identifiable reason to be on campus, but very real reasons not to be home. Many students will relish the chance...

Author: By The resident tutors Of mather house | Title: Those Left Out by J-Term | 4/9/2009 | See Source »

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