Word: subjects
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Dates: during 1960-1969
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...issue that arouses as much -» passion as the California grape strike, the subject of TIME'S cover story this week, inevitably poses a doubly difficult task for journalists. The simplest facts become fogged by rhetoric; rumor and innuendo abound and every source, it seems, has chosen sides. To meet this challenge, TIME'S Los Angeles bureau deployed nine correspondents and stringers across the Southwest. For several weeks, they toured the towns and vineyards, traveling thousands of miles and talking to hundreds of people for their report to Writer Keith Johnson and Editor Laurence Barrett...
...students exhibited here make the most exciting images when they deal with the human figure, a disturbing subject that has never been completely eliminated by abstract art. Even fragmented, dissolved, the figure maintains its appeal. The most striking sculpture is composed of sixteen editions of the same white face, like a plaster death mask, wedged into square compartments of a metal grid, like eggs in a box. Gliding in a sequence like words in a paragraph, the heads are tilted at slightly different angles. shifting with every position, the shadows redefine the expression on each colorless face. The head, locked...
Godard further made the subject of each film work as its method. Thus Pierrot le Fou is a romance (subject) realized in flowing colors, soaring music, and a hero whose journey through this setting is the motive and organizing force of the drama (method). Individual alienation becomes the method of Breathless through a hero who conducts a very detached investigation of his surroundings. Weekend's subject is general alienation in a capitalist society, and its method is to follow characters through a bourgeois countryside. But these characters, being alienated themselves, have no serious moral responses to the terrible events they...
...sensibilities, must also be blamed for destroying a cinema whose method and meaning depended on those sensibilities. The violent attacks on the audience through presenting raw events, the meaninglessness of characters' actions, the blatant anti-capitalist propoganda of Weekend do not show Godard committing cinematic suicide. His integration of subject matter and approach demand this treatment. To critics who see Weekend as the end of the line, one must mention Les Carabiniers, a film that uses moral imbeciles in just the same way to attack war. Its events are as senseless and brutal; its plot as much as skeleton device...
Bullitt's action-suspense plot is to overloaded with references to political authority's abuse and free action's virtue that one must take this, rather than its ostensible police-protection plot, as the film's subject. Steve McQueen plays a detective lieutenant whose chief shields him from an ambitious politician (Robert Vaughan, played for a straight heavy). The script puts McQueen's responsibility for his job in personal terms--his relations to his chief, battles with his own conscience, personal conduct...