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...most cunning and sensuous lips ever to grace the screen. Under the lens of Robert Richardson, an emerging master of the close-up, Uma Thurman’s lips star in Vol. 2 as though they were themselves a separate character. Indeed, an entire subplot could be drawn merely among the players’ lips, which Tarantino leaves under scrutiny through his final scene. Surely most moviegoers will reject this lip thesis in favor of the fairly blatant kung fu theme which runs through—and, admittedly, uplifts—both volumes of Kill Bill. And certainly Quentin Tarantino...

Author: NO WRITER ATTRIBUTED | Title: Happenings | 4/30/2004 | See Source »

...heart of Tarantino’s brazen and torrential work, which opens nationwide today. Under the lens of Robert Richardson, an emerging master of the close-up, Thurman’s lips star in Vol. 2 as though they were themselves a separate character. Indeed, an entire subplot could be drawn merely among the players’ lips, which Tarantino leaves under scrutiny through his final scene...

Author: By Zachary M. Seward, CRIMSON STAFF WRITER | Title: Film Review: Kill Bill, Vol. 2 | 4/23/2004 | See Source »

...were just...unskilled," is what Michael concludes, thinking back on their afflicted marriage. In its picture of a discontented family over the long arc of the years, this book can remind you of The Corrections without Jonathan Franzen's emotional knots. In its subplot of a daughter lost to the lures of the 1960s, it can bring to mind American Pastoral without Philip Roth's refining fires. Toward the end, Michael hears an old song on his car radio. "He liked the way the singer kept her voice so plain and ordinary," Tyler tells us, "too intent on expressing...

Author: /time Magazine | Title: Books: Wedded Blahs | 2/2/2004 | See Source »

...putting exposition and argument in the mouths of its characters. The friendship between Father Xavier and Ghani is well rendered and has the ring of truth. Vatikiotis' writing style is polished and evocative, despite occasional patches of purple that could have been pruned. The novel's Romeo-and-Juliet subplot is sugary and painfully predictable, with lovemaking scenes that the judges of the Bad Sex in Fiction Award could take under consideration...

Author: /time Magazine | Title: Garden of Terror | 1/5/2004 | See Source »

Such unevenness pervaded A New Brain. Its songs are often unappealing, its plotting is sometimes weak (there’s an irrelevant subplot involving a homeless woman), and its staging was often static. But at the same time, this was a fittingly creative, moving and fun rendition of a unique musical. It was worth seeing for its sheer novelty...

Author: By Alexandra D. Hoffer, CRIMSON STAFF WRITER | Title: Review: Witty, Spotty ‘Brain’ Plays in Ex | 12/8/2003 | See Source »

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