Word: subs
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Dates: during 1970-1979
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...Fainsod Committee divided into sub-committee for internal Faculty affairs and student-faculty relations. Students served as consultants to the committee but held no voting rights. However, Kenneth M. Kaufman '69, a former chairman of the HRPC, in a letter to the Faculty said he did not think there were "any issues strictly internal to the Faculty; and that on every issue students could contribute a valuable viewpoint and perspective." Subseqeuntly, the HRPC asked for full voting rights on the Committee...
...Gary Hart (D-Colo.), who chairs the Senate Nuclear Regulation Sub-committee, said he is "troubled by the commission's decision not to recommend a delay in construction of new plants" in light of its other findings...
...roomate through Omni's brilliant creation. The work is all Omni who, besides directing, wrote and filmed Tree. The cast, non-professional, which may account for the subtlety and dignity with which the characters were portrayed. Not once was piety overdrawn or intelligence underdrawn. The dialogue and (blessedly) the sub-titles were kept at a minimum. Omni instead relied on inspired camera work to tell his story. The lighting alone was probably enough to justify the Golden Palm award this film received at Cannes last year...
...tender quit the Caribbean on Jan. 3, 1971-only to be replaced by a second tender that arrived in Cuba on Feb. 14 with another Soviet naval task force, including a nuclear-powered attack sub. I handed Dobrynin a note on Feb. 22 saying that the presence of a tender in Cienfuegos for 125 of the last 166 days was inconsistent with the understanding. The tender and sub left. In May, a tender and a nuclear-powered cruise-missile sub made a visit. Every conceivable combination was being tried -except the most important one, the presence of a tender...
...them. Only the Gere-Eichhorn romance is fully told, complete with subsidiary characters (Eichhorn's parents, well acted by Rachel Roberts and Tony Melody). The remaining couples are superficially sketched and add little to the film except length. There are other excesses as well: a thrown-in sub plot about Redgrave's troubled young son, some muddled digressions about British-American cultural conflicts, and a grueling military race riot. Besides wasting time, these intrusions are pretentious; the director seems to be trying to convince himself that Yanks is something more than a tearjerker. In the process, he insults...