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...first blow in the one-two punch that brought porn into the open was a 1969 documentary, Pornography in Denmark, from the sexologists Phyllis and Eberhard Kronhausen, the sub-Kinseys of their day. As filmmaker John Waters recollects: "Pornography in Denmark got around the law because it was a 'serious documentary,' right? It was supposedly 'socially redeeming,' but it showed penetration.... It was a big deal because after that there was no turning back. That's the day exploitation films ended -the way Andy Warhol ended Abstract Expressionism in one night by that soup can, the way the Beatles ended...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

...receptiveness of the establishment to the outlaw sub-art in the early and middle 70s was evident at the two major film festivals I took part in, Cannes and New York. In Cannes' unofficial sidebar, known as the Market, Mary and I saw Behind the Green Door, Lasse Braun's Sensations, Max Pecas' Dictionary of Sex and Metzger's Score, where, after a screening of the film's soft-core version, we were invited to stay for an alternate final reel featuring hard-core sex. (Metzger went on to direct one more arty hard-core, the excellent Paris-shot...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

...Center, which opened in the Washington suburbs in 2003, was plagued by mismanagement and overspending. The report charges that some of the $500,000 listed under "equipment and tools" was spent on silk plants and decorative artwork. And in addition to outfitting the building's four kitchenettes with swanky Sub-Zero refrigerators, the report cites 58 cases in which the project manager allegedly circumvented government spending rules by splitting credit-card transactions so that each would come in under a limit of $2,500. None of the officials accused are still with the agency...

Author: /time Magazine | Title: Silk Plants and Air Security | 3/28/2005 | See Source »

...film financing and permanently damaged the city's vital Asian markets; those of some countries, like Indonesia's, have never recovered. The introduction of VCDs and DVDs, legitimate and not, ate into box office. Fewer Asians were willing to shell out $7 to watch a Hong Kong film with sub-Hollywood production values when they could cheaply get their fix at home. With box office disappearing, the only sure money in moviemaking came from video rights, which meant an increasing number of films were made with a VCD expressly in mind?not a formula for cinematic greatness. "Videos are like...

Author: /time Magazine | Title: Back in the Picture | 3/21/2005 | See Source »

Last spring, Associate Dean of the College Judith H. Kidd called for the formation of the Sub-Committee on Harvard Student Organizations to discuss the growing number of groups, The sub-committee met for the first time in September...

Author: By Nicole B. Urken, CRIMSON STAFF WRITER | Title: Club Approval Process May See Overhaul | 3/21/2005 | See Source »

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