Word: subterranean
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...army of Hemingway romanticists who cultivate fighters to show off their feel for the sport, Gardner has a real understanding of the ring and the nameless people who are scarred by it. With a poetic touch and dry swift phrasing, he has created a remarkable portrait of a marginal, subterranean world in which two fighters and a manager occupy numbing neutral corners in the struggle for life...
...travelers will park their cars in the terminal, then be whisked by "horizontal elevator" to departure gates. At other new terminals, cars or buses will drop passengers within 600 feet of the gate. Most radical and sensible of all is Los Angeles' plan to carry people via a subterranean transit system to planes on the runway and ready for takeoff...
...Sculptor Nicolas Schoffer and avant-garde Choreographer Alwin Nikolais to place The Globolinks in the proper visual orbit. Schoffer designed the production as a Now Generation light show, employing spotlights, slide projectors and blinking flashbulbs. He provided a continuous flow of color patterns that alternately suggested cityscapes, outer space, subterranean depths. Nikolais devised a series of sliding movements for The Globolinks that suggested weightlessness, and also designed their costumes; males had white tubelike bodies with stick antennas atop their heads; the females sprouted wings. It was a triumph of modern stagecraft the Santa Fe Opera will have trouble surpassing when...
...chairman of the House Banking and Currency Committee, Texas Democrat Wright Patman has made a career of jousting with U.S. bankers. Last week he thrust at their Swiss counterparts, whose secret subterranean vaults have long been the world's principal haven for nervous money-accounts whose owners are not anxious to admit ownership. After two days of public hearings, Patman called for legislation making it illegal for Americans to deal with any foreign bank that does not allow inspection of its records by U.S. regulatory agencies...
...puts it all to work in the Byronic B-Minor Third Sonata, playing with dash, sweep and refined lyricism. His performance of the Second, in B-flat minor, offers something more. Although not the performance of a mellow master like Rubinstein, it displays a subtle feeling for the shifting, subterranean currents of Chopin's emotion. There is an urgency in the scherzo, a brooding pathos in the famous funeral march, a bizarre mysteriousness in the final skittering octaves, which Anton Rubinstein described as the winds of night blowing over churchyard graves...