Word: subtexts
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Dates: during 1990-1999
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...massacre scenes, besides being the best part of "Queen Margot," also function as an illustration of film's subtext about ethnic cleansing. The situation in Bosnia is clearly on the film makers' minds, and Chereau re-enforces this connection through his choice of the film's composer, Goran Bregovic. Bregovic, born in Sarajevo to a Serbian mother and a Croatian father, fills "Queen Margot" with medieval Balkan melodies and the voice of Ofra Haza, which at first seem incongruous in a film so French but which later make perfect sense...
...subversive look at a stereotype. In examining such molds as the Kelly girl, the private detective, the codependent lover, the bobby socks-poodle skirt blonde, Hughes also assesses such images and then creates new ones. Accents and body language are mixed and transferred by the skilled actors. The subtext is continually brought to the surface and reconciled with the text or else dismissed, but in this case Hughes is responsible for everything she writes and never misses any of the implications...
...Secretary-General Boutros Boutros-Ghali, launching an international summit on AIDS in Paris, declared a "planetary emergency" and said all countries should "act without delays" to stop the epidemic. The subtext of his speech -- and of the World AIDS Day conference -- was that AIDS research dollars and supplies should be diverted to poorer countries where the largest number of AIDS sufferers reside. (More than 90 percent of AIDS funding winds up in wealthy nations, which have only 8 percent of the victims, the U.N. estimates.) The response: representatives of 42 nations signed a declaration aiming to improve access to health...
...plot itself is sometimes suspended altogether for moody dance sequences, slide shows of the AIDS quilt and sights of Baltimore. In these interludes the poignancy of The Baltimore Waltz becomes clearest, indicating the links between the satire of the play itself and its deadly serious subtext, AIDS...
...part of the new prissiness. But evil has traditionally been an equal-opportunity employer. Where would Barbara Stanwyck and the other ladies of the noir have been if their only subtext had been female victimization? Every once in a while a girl has to stop brooding over gender injustice, start thinking about sexual revenge, and slip into her thigh-highs and stiletto heels to lure a few dopes to destruction...