Word: subway
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Dates: during 1960-1969
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...been previewed, opened, featured, highlighted and was even beginning to produce its own cliches. But there had been no intensive critique of it in the sense that, say, a theater critic reviews a play. McPhee and Researcher Nancy Gay Faber went to and from Flushing Meadow by car, subway, train and hydrofoil, walked and rode through the grounds, stood in the longest lines, went to literally every pavilion, park and exhibit. One day McPhee took two of his daughters, aged three and five, and stayed for more than ten hours. "They were so continuously fascinated," he said, "that they never...
...returns the child's eye to the retinas of men. Emerging from subway, train or even hydrofoil, the visitor to the New York World's Fair feels that he is in a special world, full of runaway pylons, impossible cantilevers, and buildings that look like flowers or accidents of flowing lava...
...intricate play of rhythm and unabashed melody, Copland caught Manhattan's very voice, from staccato bleats suggesting the cry of the streets to the muffled roar of the subway. The music moves from an almost literal description of the skyline to deeper, moodier explorations that offer Copland's own comment on life in the city. Even the lightest passages have ominous undertones, and in the soaring sonorities and wailing dissonances that punctuate the work, there is a darkness that some critics took to be "a terrifying hopelessness...
DUTCHMAN, by LeRoi Jones. In a New York subway car, a white girl who is a twitchy, neurotic bundle of well-informed cliches and sterile sexual aggressions, lures, taunts, degrades and destroys a Negro in a Brooks Brothers shirt, but not before he tells her, with profane and explicit brutality, how much Negroes hate whites...
DUTCHMAN, by LeRoi Jones. In a New York subway car, a white girl who is a twitchy, neurotic bundle of well-informed clichés and sterile sexual aggressions, lures, taunts, degrades and destroys a Negro in a Brooks Brothers shirt, but not before he tells her, with profane and explicit brutality, how much Negroes hate whites. Though his one-acter repeats the pattern of Albee's The Zoo Story, Jones captures the contemporary mood of violence with raw and nerve-tingling fury...