Word: successer
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...success of a show like “The Sorcerer,” with a fundamentally weak plot only resolved by a deus ex machina, depends largely on its soloists, whom stage director Davida Fernandez-Barkan ’11 manages effectively. The role of Alexis is well handled by Nelson (in last Saturday’s matinee performance). His strong tenor and zestful portrayal of his foppish, affected character provides many of the performance’s most rewarding moments. In particular, his over-the-top exchanges with his father, played with great aplomb by Yashinsky, are delightful...
Perhaps attempting to capitalize on this gaiety, the production incorporates the choreography of Antonia M. Pugliese ’12, with varying success. In particular, during Sir Marmaduke and Lady Sangazure’s duet “Welcome, Joy!” the busy movements distract from the comic interaction between the two self-important aristocrats. But the chorus dances well in a number of scenes, adding to the production’s festive feel...
...despite this dabbling, Harvard mothers needn’t start worrying that their Ivy dollars are contributing to the mass decay of society. Users on campus, despite being users, are ultimately still Harvard students, too concerned about their academic success and artistic integrity to fall into serious dependency. When all is said and done, they want to produce high-quality art that will resonate with an audience on an emotional, intellectual level, not a chemical...
...grappled with artistic—and perhaps just general—confusion, Underwood’s first two albums established her as Nashville’s leading female star. With a string of country number-ones and an uncontroversial personal life, Underwood’s was verily an unqualified success story...
...vocal excess, culminating most often in “glory notes.” It is an aesthetic comprehensively rejected by the record-buying public, if the album sales of most “Idol” winners are any indication. The key to Underwood’s prior success was that she discarded the vocal theatrics prized by Randy Jackson for solid, conventional country music written by hardened Nashville pros like Josh Kear and Hillary Lindsey. “Play On,” by contrast, features the talents of a murderer’s row of pop songwriters...