Word: successes
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Dates: during 1930-1939
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...Washington with George C. Tyler's company, played there in A Young Man's Fancy, and parted, Miss Fontanne to Chicago with the company, Mr. Lunt to rehearse for Clarence, which Booth Tarkington had written for him. Their golden year was 1921. She had her first great success then, in the George S. Kaufman-Marc Connelly Dulcy. And Actor Lunt, after a two-season run with Clarence, was established on Broadway. Next year they were married...
...Theatre Guild decided to produce Ferenc Molnar's The Guardsman. Its chief characters were a married actor and actress, its theme a test of fidelity. The Guild's canny Theresa Helburn saw the piquant possibilities of casting a happily-married stage couple in the parts. The tremendous success of The Guardsman led to 14 more such pairings. The Lunts are now known throughout the U. S. as the leading Mr. and Mrs. of the theatre...
Broadway perennially bemoans the collapse of the road. For the Lunts the road has never failed. Since The Guardsman they have, in Alfred Lunt's phrase, gone buckety-buckety over the U. S., always sure of a hearty welcome from coast to coast. The Lunts put this success down to a variety of good plays. The nation puts it down to the bickering, wrestling, fighting, cooing, unfailingly endearing intimacy of Lunt-Fontanne on-stage relations, their expert charm. The Guild paired them in Arms and the Man, The Goat Song, At Mrs. Beam's, Pygmalion, Juarez and Maximilian...
...diva squaring off at a high C. Says her introduction: "For 50 years (everyone from the radio announcer to the Motor License Bureau knows my age)-for 51 years, to be exact†-I have been enjoying tremendously the adventure of being alive. I have had success and failure; and, perhaps, more than my share of fame in an art that I love passionately...
...blocks, the novel is a sort of tabloid morality play, about on a literary level with Felix Reisenberg's East Side, West Side, leading best-seller of its kind, a number of levels below John Dos Passos' Manhattan Transfer. Clearly marked for commercial success, this Rice pudding is seasoned with everything that ever came out of Author Rice's cupboard: courtroom atmosphere (On Trial, Counsellor-at-Law), social indignation (We, the People), personal pique (letters to the New York Times), alternately satirical and glamorous treatment of artists, writers and the theatre (The Left Bank), human interest, melodramatic...