Word: successful
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Dates: during 1960-1969
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Second Youth. Janáček was born in 1854 in Moravia, now part of Czechoslovakia. He studied music in the town of Brno, married there (unhappily), suffered through the early death of his two children, and enjoyed no major success as a composer until he was 60. About that time, he fell in love with Kamila Stössl, 38 years his junior and the wife of an antique dealer. The affair was apparently platonic; nonetheless, it brought the composer an astonishingly productive second youth. From the time of his meeting with Kamila, his music surged with an energy...
...battlefield: New York City. "It is a laboratory," Baron explains. "Every noise source in the U.S. can be found here in larger amounts." His success: meager. "The big problem is communication," he says. "When air pollution was shown actually to kill people, there was action. Fortunately or unfortunately, we cannot show a direct cause-and-effect relationship between excessive noise and death...
Moving right along now into its third big season is NBC's Rowan and Martin's Laugh-In. Simultaneously, the show is coming apart. Although its ratings are still tops in television, its very success is beginning to exert pressure that will change the show markedly by the second half of the 1969-70 season, and radically by 1970-71. The fact is, some of the most familiar Laugh-In regulars are dropping...
...which its 1,850 salesmen peddle with missionary fervor to self-employed merchants, farmers and smalltown businessmen. The salesmen are not required to be creative, but merely to read a 25-minute presentation prepared by the company. Management's philosophy is that anybody who can read can sell. Success is founded on making plenty of presentations; salesmen make as many as a dozen brief calls for each prospect who is willing to listen to a presentation. But Penn Life has calculated that one out of three who listen will...
LELAND Moss: When I first came to Harvard, the standard of success generally depended upon a polished, finished production. There was great emphasis on everything being "set," that is, completely established by opening night- claborate costumes, lighting and all sorts of peripheral, so called theatrical effects were deemed essential for a show to succeed...