Word: succession
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Dates: during 1970-1979
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Prompted by all this unexpected success, Paramount scheduled a low-budget movie several years ago. Then, when Star Wars hit, the studio returned to the project at a speed approaching warp seven. The new movie will have an expensive layering of special effects. Optics Wizard Robert Abel has been hired to give that cloud of electric whipped cream a throbbing, ominous personality. "It's so big you can't make a model of it," he hints vaguely. "It's so awesome, so powerful and has so many unique identities . . ." When the monster first appears, audiences will...
Just how a new version of an old, if farsighted, television series will be treated at the box office next Christmas is also a puzzling question. Despite the immense success of Star Wars and Close Encounters of the Third Kind, science-fiction movies are often a fragile film commodity whose only sure audiences are cult enthusiasts. To make a profit, Star Trek must reach out far beyond them. Monsters aside, that may be the most difficult enterprise confronting the creators of the starship Enterprise...
...soap opera, the most exalted soap opera ever to be shown on TV. For the addicted there is still one final fix. The syndicators are holding back five additional early episodes, which were shot in black and white. They will be released if this series is a success. Can there be any doubt...
...sign of the novel's success is the fact that Birdy's desire never for an instant seems risible or even, after a while, particularly bizarre. Thoughts from the hero ("What I need is a tail") that could easily be howlers pass by with the equilibrium of logic and consistency. Method triumphs over madness. In alternating sections, Al reminisces aloud, as much to pass the time as to get through to his apparently oblivious friend, and then Birdy in turn thinks about his past. These two sets of memories are vectors to the present. The personalities...
...MUSIC. Ah yes, well, there is music on this album, some of it very good, for those willing to wade through all the extraneous hype. Chick Corea (and RTF is Corea's band) always plays well; the success or failure of his records usually depends on the musicians he chooses and the selections he plays. The results here are uneven. Versions of flashy but vapid tunes from Musicmagic (1977) comprise the first two discs. The band is tight, but the intricate mini-fugues and pompous fanfares that highlight the horns still sound gratuitous. The vocal sections are disappointing; Chick...