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Amidst involvement in such an extensive number of productions and performance groups, Bendorf has been able to find two main points of artistic focus: Stephen Sondheim and Gilbert & Sullivan. She had a lead role in a HRG&SP production her freshman fall, and subsequently joined the company’s...

Author: By Victoria J. Benjamin, CONTRIBUTING WRITER | Title: Christine Bendorf ’10 | 4/27/2010 | See Source »

Dana Knox, the Production Coordinator of the New College Theatre, believes her near-omnipresence in Harvard’s theatrical world is no accident. “Christine has shown such amazing dedication to the arts scene at Harvard that it is no wonder that she rose to prominence very...

Author: By Victoria J. Benjamin, CONTRIBUTING WRITER | Title: Christine Bendorf ’10 | 4/27/2010 | See Source »

What becomes increasingly frustrating about this is that Palahniuk uses these references as he builds images of scenes and characters. Understanding his references will surely enhance one’s reading of the story, but the amount of research left to the lay reader is simply too daunting for such...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: Palahniuk Goes for Shock, Ends Up with Shlock | 4/27/2010 | See Source »

While he is quick to be self-deprecating, Quinn has more than made up for his lack of initial experience. He has choreographed 11 dances in his years at Harvard, served as the co-director of the Harvard-Radcliffe Modern Dance Company (HRMDC) this past year, and taught dance at...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Patrick Quinn ’10 | 4/27/2010 | See Source »

Through this study of identity, the students have developed significantly, according to Sullivan. “Freshmen often don’t have a chance to be in charge of this much of such a large undertaking,” she writes. “Since each of the FACES...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: FACES: Who We Are | 4/27/2010 | See Source »

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