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Word: sudermann (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...Interior, introduced before the Reichstag last week his Schundund Schmutz (Trash and Smut) bill creating a committee of five censors, the adverse vote of any four of which would suffice to suppress any book or magazine. Straightway the Prussian Academy of Fine Arts, famous because it snubbed Hermann Sudermann* by not asking him to become a member of its new literature department, and was snubbed by Gerhart Hauptmann† who declined the honor (TIME, June 7), made haste last week to protest the new censorship bill in a manifesto signed by such "advanced" writers as Georg Kaiser, Bernhard Kellerman, Heinrich...

Author: /time Magazine | Title: GERMANY: Notes, Nov. 29, 1926 | 11/29/1926 | See Source »

...keeper, chief exponent in the '90s of what was then "modern drama." His Vor Sonnenaufgang, (Before Sunrise), 1889, inaugurated and gave impetus to the new German dramatic movement which, unlike that of other lands, is still pressing on to new and violently original achievements. Like Sudermann, Hauptmann subsided as a great creative artist about 1910, though only last year he published the much talked of satirical novel Die Insel der Grossen Mutter (The Isle of the Great Mother) ; and only last week his new Dorothea Angermann had its premiere in Vienna...

Author: /time Magazine | Title: GERMANY: Notes, Nov. 29, 1926 | 11/29/1926 | See Source »

...custom as well as the privilege of a drama uplift organization like the Repertory is to bite off larger pieces than it can chew. "John The Baptist," adapted by Frances Jewett from the "Johanues" of Hermann Sudermann, turned out to be quite a mouthful and was mangled with more or less success. The theme is worthy of the effort and one can admire the courage if not the discretion of the Repertory players in attempting it. The result to be truthful, was hard to digest...

Author: By H. C. R., | Title: CRIMSON PLAYGOER | 10/13/1926 | See Source »

...story of the Baptist-Prophet, is undoubtedly fraught with emotionalism, and the intensity of feeling, the suffering and anticipation which permeate the facts of his life, and the lives of his followers, were in some measure caught by Sudermann. The Repertory version catches even less of that spirit. Melo-drama vies with the ridiculous, approaching farce, where only dignity and religious feeling were intended. The mania for making the unreal appear real, for putting Hamlet in plus fours, can amuse but hardly impress. Perhaps there were wise-cracking merchants in Israel but we can't believe they had Irish-Mayfair...

Author: By H. C. R., | Title: CRIMSON PLAYGOER | 10/13/1926 | See Source »

...that thereby is their product the more easily and widely marketed. Therefore, Lily of the Dust. Which simply goes again to prove that the cheaper the materials involved in the manufacture of an article, the greater the profit. Pola Negri gives a perfect performance of Pola Negri. But as Sudermann's Lilly Czepanek (tall, fair and willowy), old friends of the book will disagree with her. Yet for the millions who want Pola Negri, it is to be said that she contributes one of the finest performances she has given since her films began to be stamped "made...

Author: /time Magazine | Title: Cinema: The New Pictures Sep. 1, 1924 | 9/1/1924 | See Source »

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