Word: sugarman
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Dates: during 1960-1969
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Geometry is all very well, but it works better if it is combined with wit: witness George Sugarman's whirling yellow-green Square Spiral, which sends the eye circling dizzily through the empty hole of its central vortex. John Anderson has built an immense symmetrical flower-like wood carrousel, calls it Baroque. Minimal forms still massively demand their unrewarding space, but they are countered by weirdly eccentric shapes that are frankly frivolous, at least unpredictable. California's William Geis, the gutsiest of the out-of-town recruits unearthed by the traveling scouts, displays Perusal...
...program this year is no longer primarily concerned with helping freshmen adjust to their first few months here, Paul, W. Sugarman '69, one of the Associates, said. Rather, the focus will be on the Spring semester of the freshman year and the Fall semester of the sophomore year...
...artists in 1968 are more likely to litter their workbenches with draftsmen's tools than with paint rags, to trim their walls with Surveyor's lunar photographs than with models of the Venus de Milo. But each artist still reflects his personal style in his habitat. George Sugarman, who creates boldly colored abstract sculptures, works in a spartan loft equipped with power sanders and gluepots. Claes Oldenburg's huge apartment is in a perpetual clutter because, as Nesbitt points out, "Claes likes to have a lot of things around so he can stumble over them. There...
...those slow afternoons in a Beverly Hills auto showroom, and Burt Sugarman, 28, the smoothly pompadoured proprietor, noodled at his desk. In the window reclined a long, low, old-fashioned jobbie with running boards, bicycle fenders and blindingly chromed supercharger exhausts curling out of the hood. Suddenly, an ill-clad geek with long hair popped into the shop. Sonny Buono, of Sonny and Cher, pointed at the glittery relic and asked: "What's that?" "Excalibur," replied Sugarman. "I'll take it," chirped Sonny...
JEWISH-Fifth Ave. at 92nd. More contemporary sculpture, here limited to seven Americans: Peter Agostini, Lee Bontecou, John Chamberlain, Mark di Suvero, George Segal, Richard Stankiewicz and George Sugarman. Through...