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...ways different from those achieved through scientific methodology.“I haven’t gone out to document what is just there,” Purcell says. “I photograph as an artist.”Her series is one of many examples that suggest the potential discourse between the arts and the sciences.Similarly, Amanda Means uses her photographs to aestheticize subject matter generally thought to reside only in the scientific realm. “Looking at Leaves” ended Feb. 8. The black and white photographs of the exhibit are products of scientific inquiry...

Author: By Eunice Y. Kim, CRIMSON STAFF WRITER | Title: At the Crossroads of Natural History and Art | 2/12/2009 | See Source »

...cards, raises and raises the bet, grimaces and makes faces, hoping to deceive the others, but no one ever finds out what his cards really are.”While Martinas, Stefanija, and Gediminias each provide a more normalized account of Vargalas’ fragmented story; their contradicting observations suggest that Vargalas’ malaise is endemic to all of Vilnius. At times, the threesome seem to act together to introduce “Them,” an invisible main character and a foil for Vargalas (or Vilnius itself), even though none of them share in Vargalas?...

Author: By Erin F. Riley, CRIMSON STAFF WRITER | Title: Madness and Civilization Converge in 'Vilnius' | 2/12/2009 | See Source »

...populated by more police than civilians and eventually reaching the intersection at 7th Street. The time was 6:35 am. The gate for purple ticket-holders was at Constitution Avenue and 1st Street—just six blocks away. But national guard troops blocked the path, and none could suggest any way to bypass the inaugural parade route they guarded and reach the gate.Leaving the gate, I joined forces with Josh and Amy—a staffer for Rep. Robert Wexler (D-FL) and his behavioral science funding lobbyist wife—in search of an alternate route...

Author: By Max J Kornblith, CRIMSON STAFF WRITER | Title: No Country for Late Men | 2/12/2009 | See Source »

...illuminated by ceremonial candlelight. Fani-Kayode looks uncomfortable in his friar’s robes. The lighting is just strong enough to capture his eyes, which avert downwards and away from the penetrating gaze of the camera and the viewer. Fani-Kayode’s attire seems to suggest conventional Western spirituality; the photographer’s apparent awkwardness in such garb intimates the discomfort of his relationship with these religious values, perhaps due to his homosexuality and his African heritage.Throughout “Rotimi Fani-Kayode (1955-1989),” the audience is struck by similarly evocative...

Author: By Mark A. Fusunyan, CONTRIBUTING WRITER | Title: Sprituality, Sexuality in Rotmi Fani-Kayode Exhibit | 2/12/2009 | See Source »

...Chain’s “Just Like Honey.” One could continue the guessing game of which parts of which tracks were influenced by which bands. However such a deconstruction would not only be an exhibition of the worst kind of musical machismo; it would suggest that the band’s songs are more pastiche than product.They are not. Inspirations aside, theirs is a group of fully formed, self-sustaining songs that ultimately do not depend on the work of their forefathers to be realized. While its clear that they are devoted fans...

Author: By Ruben L. Davis, CRIMSON STAFF WRITER | Title: The Pains of Being Pure at Heart | 2/12/2009 | See Source »

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