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...Neuroscientists.” “Artists use this alternative physics because these particular deviations from true physics do not matter to the viewer,” he writes. “The artists can take shortcuts, presenting cues more economically, and arranging surfaces and lights to suit the message of the piece rather than the requirements of the physical world...
...took off his suit coat as if it were a T-shirt, thrusting the back over his head and turning his sleeves inside out. Then he found himself grabbing the hem, a hand on each half of the parted tail, and ripping the thing in two. Hard to break the seam at first, but once the first thread snapped, it went...
There is something cruelly funny about the image of a middle-aged corporate lawyer struggling to tear a custom-tailored suit with his bare hands. It almost belongs more in Joshua Ferris’ debut, “Then We Came to the End”—an acrid satire of the cubicle workplace—or the sitcom “The Office” than in his new novel “The Unnamed.” Though Ferris retains his humor in his new book, he seems to have adjusted its saturation levels. While...
...tearing apart his suit, Tim turns the daily routine of changing after work into something eccentric—an act of destruction and frustration. Mirroring this act throughout the novel, Ferris takes the typical—corporate America, illness, marriage, and mortality—and reinvigorates it. “The Unnamed” is a poignant, though not always cohesive narrative. A subplot at Tim’s office involving a murder investigation—a trial that he botched when he took ill—distracts from the account of his illness and its effects on those around...
Entering a dimly lit theater as a band played jazz in the background, Timberlake, wearing a grey J. Lindeberg suit with a matching grey fedora, sat in the center of the fifth row and endured a relentless roast from Pudding producers Stephen L. Rola ’11 and Kelly M. Conley ’11 that touched on almost all aspects of his career...