Word: suitoring
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...Rosalita, his classic rocker about a street dude come acourting, the suitor presses his advantage by announcing that "the record company just gave me a big advance." Springsteen often sings it that way. But sometimes, he will throw his head back into the full glare of an overhead spot, grin with pride on one side of his wide smile and irony on the other, and shout out: "Your Papa says he knows that I don't have any money/ This is his last chance/ Tell him, Rosie, I ain't no freak/ 'Cause I got my picture/ On the cover...
Once he met Caroline, at a party in 1975, Junot became a tenacious suitor. When Caroline was whisked off to the U.S. two summers ago, Junot followed. Finally, during a visit to the remote Galapagos Islands, Rainier grudgingly agreed to the marriage. But it was not until after London's Daily Express published a shot of a topless Caroline with Junot on a yacht that the palace issued a terse engagement announcement...
Kirkland mugs like a trouper, perfectly attuned to the broad style of "classical vaudeville" that Baryshnikov chose for his tribute to this sturdy war horse of Russian ballet. When she is in the presence of Gamache, the unwanted suitor pressed upon her by her father, her eyes roll in exaggerated disdain. She transforms her snapping fan into an épée to prod this fopling across the stage and out of her sight. Her face flares in coquettish outrage at brash Basil's proffered kisses; she singes and melts at the same time. When she is onstage with the demented...
...ruthlessness to flesh out that theme. She simply ups and weds one of her johns in the middle of the movie--leaving Violet being and leaving us wondering why she did it, and where we missed something. Less self-explanatory still is David Carradine's portrayal of the photographer-suitor, Bellocq. When he first intrudes on them the house madame calls him an "invert"--he begins to just hang around, looking less like a sinister voyeur than a dazed peanut vendor at a ballpark. The scene where he finally admits his love for Violet lacks both preparation and emotion...
...infernally difficult sequences in the classical repertoire, the so-called Rose Adagio. It is a moment of psychological depth that is rare in 19th-century ballet. The princess stands poised on her 16th birthday between childhood and adulthood, between the parents whose presence she acknowledges reverently and the four suitors who dance with her in turn, between the festive court around her and the unfolding self-awareness within. Twice during the course of the Adagio, the ballerina must balance on one pointed toe for several minutes as she takes each partner's hand in turn, holds it for a moment...