Search Details

Word: sukowa (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...film's success is Barbara Sukowa, who plays the radical politician with a proper mixture of courage, furor and angst. Sukowa won the best actress award at the 1986 Cannes Film Festival for her role in the film...

Author: By Ross G. Forman, | Title: Rosa Revisited | 10/17/1987 | See Source »

...Sukowa's acting combines grace and power. She transforms her role into a psychological study, conveying the essence of a woman who could deliver roaring speeches at one moment and then adjourn to a sophisticated ball. After watching Sukowa's Luxemburg, one understands exactly what the radical's daily life was like--her struggle for her ideology, the embittering of her personal life and the eventual estrangement of her allies...

Author: By Ross G. Forman, | Title: Rosa Revisited | 10/17/1987 | See Source »

...secondhand stud for a series of gross, silly and pathetic trollops. There are three exceptions: Lina (Elisabeth Trissenaar), gorgeous and sassy, whom Franz meets soon after his release from prison; Eva (Hanna Schygulla), a former mistress who is now an expensive call girl; and Mieze (Barbara Sukowa), a simple, gentle girl of small shrugs and a guileless smile. By the end, with Reinhold's malefic help, she and Franz will have become the secret agents of their own destruction...

Author: /time Magazine | Title: Cinema: Germany Without Tears | 8/15/1983 | See Source »

...actresses, they have always been lush galvanizers who surrender voluptuously to the jagged contours of melodrama. The viewer surrenders, just as willingly, to Trissenaar, a Diane Keaton-type, but with brains and guts and class; to Schygulla, with her wicked-witch profile and wicked, witty mouth; and to Sukowa, who, as sweet sad Mieze, blazes trails of girlish naiveté into the jungle of male psychopathy...

Author: /time Magazine | Title: Cinema: Germany Without Tears | 8/15/1983 | See Source »

Both Lola and Veronika Voss are set in 1955. Lola (Barbara Sukowa) works in a Coburg bordello: chanteuse for the early show, and after that "the woman with the sweetest ass in NATO" for the town's corrupt burghers. Von Bohm (Armin Mueller-Stahl) is an honest public official whose idea of an evening's entertainment is to watch the test pattern on his new TV set. Unaware of Lola's occupation, Von Bohm takes her on a date to church-such are the idealist's hopes for a spiritually healthy postwar Germany-and falls...

Author: /time Magazine | Title: Cinema: Master Without Masterpieces Andres Segovia: 1893-1987 | 9/27/1982 | See Source »

| 1 | 2 | Next