Word: sullenly
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Dates: during 2000-2009
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...Table, Poudre de Riz” (1887) and “The Hangover” (1887-1889) depict Valadon in an empty tavern, seated with her elbows propped up on a table. Devoid of the usual uproarious goings-on of a Paris nightclub, the scene in both paintings is sullen, pensive and lonely. A small tin of face powder at the table in the first painting exposes the naturalness of the subject—caught without her make-up on—and perhaps even Valadon’s more personal desires: rice powder was worn by courtesans...
...featuring Plaid, Nobukazu Takemura and Mira Calix. Alien atmospherics were the theme of the night, with the downstairs lounge of the Middle East and clumps of equally weird onlookers basking in light tinged sickly green. Clouds of smoke were penetrated by sheets of cacophonic noise draped over the occasional sullen bass boom, sounding like a malevolent heartbeat. The stage was littered with mostly unidentifiable contraptions; only the distinctive white outline of an iBook served as a reminder that this was conceived by humans...
...delicate, minute plates reveal something more. Viewed frontally and in profile, his four slaves exude a mournful yet dignified air. It becomes clear the torment and strain that incarcerated life has wracked on their bodies, but still, their strength is plainly evident in their sullen faces and sunken eyes. Surprisingly, there is nothing of anger or resentment, just a sense of resignation to fate, and this lamentable acceptance of reality simply makes their emotive power that much more heart-rending and painful to behold...
...stunning dusty orange mountains of central Anatolia—but stare at it long enough and the goalposts and markings of a red dirt soccer field suddenly jump out into view, not unlike the surprise of a Magic Eye. The latter is a simple black-and-white of a sullen girl gazing at the viewer with piercing eyes that follow one around the gallery, Mona Lisa style. Both of them are nothing short of complete photographic experiences...
...fathom sex and romance while in the sights of some very avid men. Fat Girl, Breillat's latest and best work, divides the heroine in two: Elena (Roxane Mesquida), a pretty 15-year-old who already knows her aphrodisiac effect on men, and her sister Anais (Anais Reboux)--fat, sullen and full of resentful love for the girl who invites, into the bedroom they share, a horny rich kid for a night of extended erotic negotiation...