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Granted, the plot of Tears of the Sun requires that Willis' military mission become a humanitarian one. But Bellucci, 34, tends to have a mesmerizing effect on men, onscreen and off. Despite herself, she's a sublime succubus: Monica demonica. With her voluptuous figure, majestically sullen face and exquisite eyelashes, she projects a quality sadly absent in most Hollywood star-babes: a knowing, passionate womanhood. That could be why in so many of her European films she plays the sort of woman who brings out the obsessive in men just by walking past them...

Author: /time Magazine | Title: Movies: It's Monica Mania | 3/10/2003 | See Source »

...There was something feminine about Elvis. His mouth formed the pout of a sullen schoolgirl; his hair was swathed in more chemicals than a starlet's; his hips churned like a hooker's in heat. Presley was manly too, in a street-punk way. For him, the electric guitar was less an instrument than a symbolic weapon - an ax or a machine gun aimed at the complacent pop culture of the 50s. Performing his pansexual rite to a heavy bass line, Elvis set the primal image for rock: a man and his guitar, the tortured satyr and his magic lute...

Author: /time Magazine | Title: That Old Feeling: Happy Birthday, Elvis | 1/8/2003 | See Source »

...touched by Dean's sensitivity, stricken by Dean's early death (in September 1955, about the time Parker bought Elvis' contract from Phillips). In fact, though, Elvis was the Marlon Brando of pop. Everyone saw this; I did, and I was 11. Brando and Elvis both had sullen good looks: hooded eyes and full, sensuous mouths that easily formed a sneer-smile. They semaphored their menace in their movement: Brando the prowling predator, Presley the sex machine. Most important: both men, virtually by themselves, caused a redefinition of what was acceptable in their fields. And soon, because of their seismic...

Author: /time Magazine | Title: That Old Feeling: Happy Birthday, Elvis | 1/8/2003 | See Source »

Bonds, on the other hand, suffers the rap as the dark star of baseball's universe, a sullen, selfish man unloved by his teammates. Unlike Ruth, he has no adoring press and has never tried to craft a nice-guy public persona the way media masters like Michael Jordan have done. Bonds' dyspeptic relationship with reporters--he doesn't trust them, fancy that--has sent them digging for dirt...

Author: /time Magazine | Title: He's Great. Why Does He Have to Be Good? | 10/28/2002 | See Source »

...Watching the long queues in front of the St. James Theatre, Broadway entrepreneurs had an epiphany: sad was out, glad was in. From now on, instead of looking for another sullen, finger-wagging faux-opera, they would try to find "the next ?Producers'." Sure enough, the ABBA's greatest-hits medley "Mamma Mia!" arrived and became the top new tourist attraction. It and "The Producers" have both been grossing $1 million or more a week (the golden number for a Broadway show) ever since. "Thoroughly Modern Millie," the Julie Andrews musical without Julie Andrews, followed and won the Tony...

Author: /time Magazine | Title: That Old Feeling: Let Us "Spray" | 10/7/2002 | See Source »

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