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...prize lines as "You turd." and "You're a stinker and you stink." In contrast to Sherman's comic posturing, Eric Luftman acts Richard Lionheart, Eleanor's darling, with straight-faced sobriety. Whether stiffly demanding his rights or reviling the rest of the family, he is a model of sullen, subdued rage. In between is Geoffrey (Jon Goerner), all "cogs and gears," the son nobody loves. Goerner, playing another in a long line of slimy and insidious characters, is simultaneously oily and reserved, turning in his most precise performance to date...

Author: By Julia M. Klein, | Title: Masks and Machetes | 3/24/1977 | See Source »

...that are merely terrific for the network with a bunch of flops or simply stupefying for the one with the most hits. Here timing is everything. Whoever guesses right when mood swing afflicts the customers becomes TV's merchant king-for a day-while competitors retreat to a sullen contemplation of their demographics and a glum reshuffling of their schedules...

Author: /time Magazine | Title: TV's Super Women | 11/22/1976 | See Source »

...Jimmy Carter storefront office in downtown Indianapolis last week. For months he had traveled around the country trying to sign up voters. It had been discouraging: only a few volunteers ever showed up, and there was rarely enough money for buttons and bumper stickers to soften up a sullen public...

Author: /time Magazine | Title: THE VOTERS: WILL 70 MILLION SIT IT OUT? | 11/1/1976 | See Source »

...slid open, but they waved me in vigorously and it was kind of a plush cranny, the likes of which I hadn't come close to in a while. None of them spoke English, but three of them prodded snatches of inexact but useful French out of a sullen type with a mustache, and with the additional aid of maps and newspapers, we managed a make-shift dialogue. We may not have interpreted every word in the same way, but I'm pretty sure we set a few facts straight. First off, I was American, and I didn't think...

Author: By Anemona Hartocollis, | Title: Trapped in Perpetual Transit | 9/27/1976 | See Source »

...gundown that is not only predictable but practically required by law. The movie is stately, even funereal, as it details the last week of J.B.'s life. Director Don Siegel excels at turning out saw-toothed melodramas (Dirty Harry), and likes to play along the grim edge where sullen threat turns to quick, obliterating violence. Not even in The Beguiled-a harrowingly beautiful gothic tale-has Siegel gone so far away from what is familiar...

Author: /time Magazine | Title: Cinema: Dying in the Saddle | 8/30/1976 | See Source »

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