Word: sullivanism
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Dates: during 1950-1959
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Valued at $10,000, the flats, platform units, and special sets will be used by the Harvard Opera Guild, the Harvard Dramatic Club and the Gilbert and Sullivan Players...
...exchange program" between the Gilbert and Sullivan Players and the comparable organization at Barnard College is planned for this year, president Arthur S. Waldstein '59 announced last night...
...body. Not only this, but the entering freshman class contained more theatrical talent than any other class in Harvard history--including, as it happened, a notable quartet of students who would soon be generally recognized as a Big Four: Stephen A. Aaron, Colgate Salsbury, Harold R. Scott, and D.J. Sullivan...
...never all worked together on the same show. To remedy this, John G. Eyre '57 put up the money and secured the rights to stage the American premiere of Jean Genet's terrifying play about prison life, Death-watch. Stephen Aaron directed, and Colgate Salsbury, Harold Scott and D.J. Sullivan took the three major roles. A wonderfully oppressive set was designed by John Ratte '57, one of the three most gifted designers here since the War (the other two being Robert Fletcher '45 and David A. Hays '52). Five newspapers reviewed the production, all very favorably; one critic called...
City Councilors Alfred E. Vellucci, Mrs. Pearl K. Wise, and Sullivan spoke in opposition to approval of the redevelopment project. Mrs. Wise's proposed amendment to insure that the project would be developed to provide housing for "middle income" families was defeated...