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...common folk that his contemporaries once found them. Perhaps appropriately-for he wrote with a cinematic clarity-Steinbeck's vision of America is most frequently glimpsed today in late-show reruns of The Grapes of Wrath or East of Eden. His literary heritage has been to summon up a sort of vivid, brittle nostalgia, and one tends to read his books now with the same bemused affection with which one watches the old Henry Fonda version of Grapes. It was precisely this quality of painful and wistful tenderness that Bonnie and Clyde conjured up in its visions, shot through...

Author: /time Magazine | Title: Books: John Steinbeck, 1902-1968 | 12/27/1968 | See Source »

Klein will need to summon all his strength as a newsman and as an editor to make his new job work. For his protestations of probity last week will undoubtedly be replayed to him the moment the new Administration gets caught in even the most trivial shading, inflation or seeming suppression of the facts...

Author: /time Magazine | Title: Nation: Superchief of Information | 12/6/1968 | See Source »

...represented, as well as bishops. Philosopher Novak half-seriously proposes that the proper setting would be the catacombs, rather than the baroquely splendid nave of St. Peter's. Unfortunately, Pope Paul will almost certainly not call another council in his lifetime, although Vatican sources hint that he will summon...

Author: /time Magazine | Title: Religion: Catholic Freedom v. Authority | 11/22/1968 | See Source »

...education." He was taken to the county jail in Los Angeles, where he refused to post the $65 bail and spent the night in a cell. Obviously he is a quick teach. By 8 a.m., he considered himself sufficiently well-educated to hand over the bail, summon a taxi and go home. He refused to say what he had learned, but just wait for his next movie about the fuzz...

Author: /time Magazine | Title: People: Oct. 4, 1968 | 10/4/1968 | See Source »

...that goes on view next month at Manhattan's Pace Gallery. Included will be drawings that date back to the early 1960s, when he and other young artists were rebelling against the prevailing mode of abstract expression. Samaras' way of celebrating the long-ignored object was to summon up his disturbing Macedonian memories. Matchbook and spectacles, in a 1962 ink drawing, were depicted with the stark frontality of a Byzantine icon. Samaras also created silvery, pin-encrusted books and boxes that suggested silver reliquaries. They were packed with knives and razors, nails, stuffed birds and X rays...

Author: /time Magazine | Title: Sculpture: Forbidden Toys | 9/20/1968 | See Source »

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