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...June settled allegations of fraud stemming from its audit of Houston-based Waste Management and paid a $7 million fine without admitting any wrongdoing. Last year, again without admitting wrongdoing, Andersen agreed to pay $110 million to settle a class action brought on behalf of shareholders of another client, Sunbeam, which had misstated its financial results during the 1990s. These days, an Andersen competitor observes sardonically, settling a fraud case appears to be good for attracting business from other firms that want a soft touch for an auditor...

Author: /time Magazine | Title: Enron: Who's Accountable? | 1/13/2002 | See Source »

...steel and glass, wood and stone. Steven Holl sees them first as things made of space and light. Just as the Moors cultivated the trickle of water everywhere in their desert palaces, Holl, who grew up in the cloudy Pacific Northwest, designs buildings that cherish and supervise every sunbeam. Light gathers in the alcoves of his Bellevue Art Museum in Washington State. It sweeps across the arcs of his Museum of Contemporary Art in Helsinki. It pulses through colored glass in his Chapel of St. Ignatius in Seattle, a building he once described as "seven bottles of light...

Author: /time Magazine | Title: Steven Holl | 7/9/2001 | See Source »

...CHAINSAW" AL DUNLAP Sunbeam's ex-CEO charged with fraud. Seems its appliances could cook books

Author: /time Magazine | Title: Notebook: May 28, 2001 | 5/28/2001 | See Source »

...generation of artists painted what they saw, rejecting abstractions and bucolic panoramas in favor of the edgy cityscapes of the new age. The exhibit opens with a monumental oil and collage by American Tom Wesselmann depicting a towering six-pack of Royal Crown Cola, a fat loaf of Sunbeam bread and a can of Libby's beef stew obscuring a view of Paris' Notre Dame Cathedral. That jarring juxtaposition embodies a fundamental tenet of Pop: that the everyday artifacts of consumer society defined a new aesthetic, stretching traditional conceptions of appropriate subjects and blurring the distinction between high...

Author: /time Magazine | Title: Art Goes Pop | 4/2/2001 | See Source »

...album starts off sinister and subtle with guilty tracks like "Sunbeam," suspending Ukairo's sultry British voice, vaguely reminiscent of Portishead's Beth Gibbons, over relaxed jazz grooves that fuse high-pitched rhythms with smooth bass. But as Submarine dives deeper into the skin it somehow finds its innocence in the lighter, airier texture of songs like "Out to Lunch" that replace much of the bass with the softer aura of strings...

Author: By Arts Staff, CRIMSON STAFF WRITER | Title: New Albums | 11/9/2000 | See Source »

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