Word: sunbursts
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Dates: during 1960-1969
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French Troubadour Yves Montand has a bedroom voice in a truck driver's body. His throaty baritone undresses every noun, verb and parenthetical clause that comes slithering past his lips. With hips cocked, eyes squinted against some inner sunburst of passion, and hands expressively molding the air, Montand is one of the most potent love potions ever poured across the footlights. But Montand has more than sex appeal buttoned under his dark brown open-necked shirt. He is a one-man theater of the performing arts, an expert mimic, a clown, a barometric actor who can shift moods, weather...
...boom, will reach an estimated $15 million in gift wrapping sales this year. With the shift to department-store wrapping for the customer, the company this year began leasing machines to stores that mass-produce jewel-shaped bows. For next year it has perfected a machine that will tie sunburst bows...
...Living Eye. For Durrell, this discovery is a kind of Dionysian revel of language, a sunburst of images. Red wine is "volcano's blood." The evening air is "cool as the breath from the heart of a melon." A sunset in Rhodes becomes a conflagration. This is the kind of thing Durrell does so well that he tends to overdo it. But, periodically, he lifts imagery to insight. Many have written of the preternatural brilliance and clarity of the Greek light, but Durrell sensitively isolates its effect when he calls Greece not a country but a living...
...numerical notes, thereafter can work automatically from "memory"-or learn a new task just as quickly. In the machine and tool industry, where techniques change so slowly that an exposition is held only twice a decade, the numerical-control machines brought forth a babble of superlatives, such as "the sunburst of a new era," "a stupendous breakthrough." Where it now takes a day to "set up" a lathe or other machine before it can begin turning out parts, the new machines can be ready to work in minutes, switch easily from one job to another...
Nevertheless, Rogosin finds beauty in South Africa, too, most of it in the vital faces of the Negro population, in their sunburst smiles and roars of laughter, in the explosive imagination of their dances, and above all in the sheer demonic genius of their music. All Rogosin's candid-camera work is done with impressive skill and sensitivity. Where the director has trouble is in the acted action. Almost all his players are amateurs, and he has obviously tried to make them relax and act natural; but except in one exciting bull session among Negro intellectuals, most of them...