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Word: sung (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...only as Alfred Lunt, but as a thinly veiled Impresario S. Hurok, Munshin has chances to show his mettle, and Les Quat' Jeudis are agreeably different, or French enough to seem so. As the author of almost everything spoken or sung, Charles Gaynor is not uniformly sprightly. Indeed, Show Girl is full of ups and downs, but is never long enough down for dire trouble, and is often high enough up with its star to be one of the season's few real sources of laughter...

Author: /time Magazine | Title: Theater: New Revue on Broadway | 1/20/1961 | See Source »

...season's hit song in Havana, sung to the tune of Jingle Bells: "Con Fidel, con Fidel, todos con Fidel...

Author: /time Magazine | Title: Cuba: The Wise Men | 1/2/1961 | See Source »

...brought up to believe that it is polite to wait until you are asked," Soprano Eileen Farrell invariably replied when people wondered why she had never sung at the Met. The Metropolitan Opera's Rudolf Bing continued to ignore Farrell, either because of misplaced gallantry over her heft (5 ft. 5½ in., 180 Ibs.) or because of her limited operatic repertory. But the snub did not hinder the progress of Farrell's career or silence the critics, who acclaimed her the U.S.'s top soprano. Finally, a year ago, Bing and the Met beckoned, and last...

Author: /time Magazine | Title: Music: Mommy at the Met | 12/19/1960 | See Source »

Though Baker's staging was generally excellent, it was often maudlin in its excesses. Thunder and gales at every mention of the Devil and at every calumniation of religion seems unnecessary. But they were particularly poor when sung by chorus line behind the scenes. Once the chorus showed up on stage (now as corps de ballet) it proved more effective. The girls writhed and groaned about the feet of Lucifer, Belzebub, and Mephistopheles, rendering a vivid picture of Hell...

Author: By Michael S. Gruen, | Title: The Tragical History of Doctor Faustus | 12/9/1960 | See Source »

...This otherwise fine recording of the imperishable operetta classic offers a strange side effect. One moment, the listener is tapping his feet to the most tap-pable of old Viennese waltzes; the next, he is caught up in the English rhymes of I Could Have Danced All Night, sung by Birgit Nilsson, of all people, in ponderous and chesty style. In the midst of the second act party scene, the producers have inserted anachronistic "entertainments" sung by some of opera's grandest names-Giulietta Simionato and Ettore Bastianini wander through Anything You Can Do, Leontyne Price sings Summertime from...

Author: /time Magazine | Title: Music: Classical Records | 12/5/1960 | See Source »

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