Word: sung
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Dates: during 1970-1979
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...takes place at the former hobo's seashore hotel. The fresh air revives the chorus: "Linger in the Lobby" is peppy, sung and danced with a snappiness that doesn't quit till the last bows. In the lobby, the chorus lingers and mingles with larger-than-life-size cutouts of hotel guests, bell-hops and beach umbrellas, all of which give the stage an effective style halfway between art deco and '70s surrealism. None of the flesh and blood lingers in the second act. The cutouts sway and stir as each character dashes madly around. Laurel Leslie, playing Susie...
...used to be. He has lost 85 lbs., and in doing so disproves the theory that a singer who loses much weight loses vocal beauty. The voice is in lustrous condition. Pavarotti gave a virile E lucevan le stelle from Tosca, an aria that is often more wept than sung. He took on Beethoven's In questa tomba oscura, an unyielding piece, though a war-horse of recital repertory. In the last two bitter words, ingrata, ingrata, he showed how a bold singer with operatic instincts can bring pathos to the whole song. Perhaps the most perfect...
...most singular activity was "filksinging," the science fiction fan's answer to oral literature. A filksong--the name's origin is unknown--is a series of humorous lyrics based on science fiction or fantasy themes, sung to familiar tunes in a disorganized but spirited way. As the night wears on, the singing often degenerates to more widely know, bawdy lyrics, such as "Barnacle Bill the Sailor." But the most creative songs, including "Smaug, the Magic Dragon," "Cthulhu's Days Are Here Again," "Our Space Opera Goes Rolling Along," and "Bouncing Potatoes," circulate in different versions from convention to convention...
...Berthe who rings in the theme of the story. "No Time At All" is a spicy song, sung on the shoulders of "Berthe's Boys," a coterie of male dancers. A giant scroll bearing the lyrics is dropped from the roof of the theater, and Berthe waves briskly to the crowd, "Sing along now, one more time...
...sizzling ticket. So should the fund-raising gala Sills hopes to star in later at the New York City Opera-exactly 25 years after her debut there as Rosalinda. Said Sills: "In 1980, I will be 51. I have no operas left that I want to sing. I have sung in every opera house I wanted to sing in, and by the time the next year or so is over, I will have recorded everything I ever dreamed of. My voice has served me very well, and I would like to be able to put it to bed, so that...