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Given this brief sketch of the play's proportions, it is not hard to see why the space at the Ex was physically too small, especially for three hours. Nonetheless, the set design by Zak Sung '99 was one of the most impressive parts of the play: a deep, eerily colored stage with a pregnant white veil above and with thin, dry trees at the wings...

Author: By Bulbul Tiwari, | Title: A Solemn Ex Rendition of Brecht's 'Baal' | 3/21/1997 | See Source »

...director was probably aware of his designer's talent and decided to include him as a figure on stage. Playing the Artist and Death, Sung was continually present not only working on canvas, but also streaking the actors' bodies with paint...

Author: By Bulbul Tiwari, | Title: A Solemn Ex Rendition of Brecht's 'Baal' | 3/21/1997 | See Source »

...wants to show that he is the master of church music. So this volume contains a mass composed in elaborate polyphonic style and paying tribute to past masters, and it also contains all the music sung at the evening service called Vespers; music, as Monteverdi says on the title page, suited to the chapels or apartments of princes. Monteverdi is trying to see how far his artistic wings will carry him. These two publications prove his mastery of his art, and the dedication to the Pope suggests his desire for a new job, far away from the problems of being...

Author: By Prof. THOMAS Kelly, | Title: CLOSER LOOK | 3/13/1997 | See Source »

...sense of tension or heartbreak in this production. It's there in bits and pieces, but these just doesn't fuse into the one continuously rising dramatic arc of emotion that the music so darkly promises. In the end, you feel you've just seen a series of well-sung pieces--not the complete work of art we think of as great opera...

Author: By Lynn Y. Lee, | Title: Lowell House Opera Presents Verdi With a Spot of 'Grease' | 3/13/1997 | See Source »

...Brown '97 and Rashida Jones '97, glided from genre to genre, alighting on reggae, torch and the Beach Boys. The songs did not drag, and with their clever lyrics, they kept the audience on its toes. Particularly amusing were "I Like to Play With Dolls," a quasi-ballad sung by Jed Eyenite, with its hero's admission that whenever there are brawls, "I'll be skipping 'round my garden, twirling parasols"; "Stick Out Your Chest," an ensemble number with lines like "You gotta pucker your lips,/ Throw out your tush,/ And shake your hips," and choreography to match (imagine...

Author: By Sarah J. Schaffer, | Title: Drinks Before, Not After | 3/11/1997 | See Source »

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