Word: sung
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Zingher '99, Campus Life Cmte. Co-Chair; Catherine D. Rucker '99, Campus Life Cmte. Vice-Chair; Beth A. Stewart '00, First-year Caucus Chair; Jeffrey M. Goldfarb '97; Justin E. Jones '97; Adam S. Vaina '97; David S. Abrams '98; Andrew J. Green '98; William M. Jay '98; Enmi Sung '98; Bill F. Abeley '99; Eli M. Ceryak '99; Josh Derman '99; Carolyne L. Guss '99; Steven J. Mitby '99; Andrew J. Owen '99; Maneesh R. Amancharla '00; Trevor S.G. Blake '00; E. Sonny Elizondo '00; Erika L. Guckenberger '00; C.J. Mahoney '00; Mark D. Palmenter '00; John Paul Rollert...
DIED. GEORGE OSLIN, 97, inventor in 1933 of the singing telegram; in Delray Beach, Florida. As the public relations director for Western Union, Oslin sent the first singing telegram to crooner Rudy Vallee on the singer's birthday. Today Western Union delivers singing telegrams by telephone--sung only to the tune of Happy Birthday...
Adams: David S. Abrams '98, Eric M. Nelson '99, Andrew J. Green '99, Daniel V. Alexandre '97, Taj J. Clayton '99; Cabot: Wolinsky, Enmi Sung '98, Carolyne L. Guss '99, Joshua Powe '98; Currier: Andrew Reuben Ropel '98, Sarah K. Hurwitz '99, Andrew J. Owen '99 (tied with Hurwitz), Jeffrey M. Goldfarb '97, Adam S. Vaina '97; Dudley: Christine Bohrer, Nora Puffett, Diana Adair; Dunster: Marco B. Simons '97, Louis D. Monoyudis '98, Philip R. Kaufman '98, Kaplan, Laura B. Pincus '98; Eliot: Pia A. Menezes '98, Catherine D. Rucker '99, Michele A. Manahan '98, Khrista McCarden '98, Benjamin...
Unfortunately, the same cannot be said for the bland "Wake-Up Bomb," which seems rife with the trappings of mid-80s rock and roll. "Wake-Up Bomb" packs on the weight of conventional, driving guitar chords, predictable drum patterns, and, deadliest of all, the title sung over and over again as the chorus, a la "Everybody Wang Chung Tonight." A later track, "Bittersweet Me," has the spastic energy, not to mention the intro rhythms and chords, of the Rolling Stones' "Start...
Virtually every Indian film is a musical. The songs, lip-synched by the actors but sung by "playback artists" who are also stars, dominate the pop charts. This is pop opera, dealing with emotions so convulsive they must be sung and danced, in a solemn, giddy style that critic Peter Rainer calls "Busby Beserkeley." Production numbers, like the eight or nine in God Is My Witness, are simply a declaration of passion by other means...