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...shame because the work contains many moments of rare and innovative beauty. Adams' eclectic, pop-oriented music, scored for an eight-member rock band, conducted ebulliently by Grant Gershon and sung by a cast of young Broadway-style performers, is a radical departure from the expansive minimalism that marked his earlier stage works. The title song, for example, is a syncopated chorus that could have come straight from Broadway, while A Sermon on Romance is a foot-stomping gospel shout. Your Honor My Client He's a Young Black Man, sung by the Vietnamese lawyer (the dynamic Welly Yang...

Author: /time Magazine | Title: OPERA: POLITICAL TO A FAULT | 5/29/1995 | See Source »

...history is significantly random; perversely, it's more reassuring to believe that a confederation of fbi and cia agents, mafiosi, Cubans and Kennedy's autopsy doctors hatched a plot remarkable both for its reach and for the fact that in more than three decades not a single participant has sung. Who were these adroit conspirators? The same men who two years earlier launched the quixotic, inept Bay of Pigs operation, and some of whom, it has been alleged, went on to bollix up the Watergate break...

Author: /time Magazine | Title: A CONSPIRACY OF DUNCES | 5/22/1995 | See Source »

Life for the singing monks of Santo Domingo de Silos has never been the same since they became recording stars. Last spring Chant, their Latin-language recording of medieval Gregorian sung prayer, achieved the nearest thing to a record-industry miracle: it ascended to No. 3 on the pop music charts, lodging next to hits by Snoop Doggy Dogg and Nine Inch Nails. Soon the ancient walls of their remote monastery in northern Spain were besieged by tourists and paparazzi. Even more troubling, the monks came to feel that their record company had given them a raw deal...

Author: /time Magazine | Title: MUSIC: LEAVING LITTLE TO CHANTS | 5/22/1995 | See Source »

This Tuesday, Ginger Rogers died at 83 years old. In her movies, however, she is immortal. The song's lyrics apply to her now just as they did 60 years ago--and not just as sung by the man with whom she danced, but as felt by the millions over the past half-century who have watched her films with Astaire...

Author: By Sarah J. Schaffer, | Title: Grace Never Dies | 4/28/1995 | See Source »

...with a finale in which girls dance on the wings of moving airplanes. For sheer melodic and dancing enjoyment, try the bouncy "Lovely to Look At" sequence from the 1936 "Roberta," a musical with songs by Jerome Kern and Dorothy Fields. For one of the greatest Gershwin songs sung with heart (if not virtuosity) to Rogers by Astaire, listen to "They Can't Take That Away From Me" from the 1937 "Shall We Dance...

Author: By Sarah J. Schaffer, | Title: Grace Never Dies | 4/28/1995 | See Source »

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