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...Warren, Rosa Ponselle, Tito Schipa and Jussi Bjoerling. The Warren disk is an oddity, recorded live on a 1958 tour of the Soviet Union, where the baritone's dark, sexy voice knocked 'em dead. Ponselle's sublime vocal poise lights great Verdi arias and ditties like When I Have Sung My Songs to You, I'll Sing No More. Easily the most joyous singer is Schipa, with his diaphanous tenor tones and fluent ornamentation. There was a real nap on the operatic velvet back then...

Author: /time Magazine | Title: Critics' Voices: Nov. 6, 1989 | 11/6/1989 | See Source »

More nuclear proliferation to worry the West: the prospect of the unpredictable Kim Il Sung with an A-bomb. Fears that North Korea might build one have escalated recently since U.S. spy satellites detected construction of what may be a nuclear reprocessing plant in Yongbyon, 56 miles north of the capital, Pyongyang. Such a unit would enable North Korea to produce plutonium, the raw ingredient for nuclear weapons...

Author: /time Magazine | Title: NORTH KOREA . . . And One For Kim? | 11/6/1989 | See Source »

Wonderfully under-orchestrated, "I Will Take You Home" is a sentimental song for voice and piano sung by Brent to his sleepy young daughter. Violins and music boxes provide the soothing musical texture which unites the piece and sets it apart from the rest of the album...

Author: By David L. Greene, | Title: Still Truckin' | 11/3/1989 | See Source »

Berlin's musical signature was the sheer inevitability of his songs, the way they seemed to have always been around, like folk songs. Surely White Christmas is an authentic carol, not a number composed for the 1942 movie Holiday Inn. God Bless America must have been sung first by Washington's troops at Valley Forge, not by Kate Smith in 1938. And didn't Oh, How I Hate to Get Up in the Morning emerge from a pioneer encampment and not from a 1918 army musical called Yip, Yip, Yaphank...

Author: /time Magazine | Title: Music: America's Master Songwriter :Irving Berlin: 1888-1989 | 10/2/1989 | See Source »

...melody, by turns upbeat and melancholy. By age 60, his best performances on bandstand and bedstead behind him, he occupies a room in an East Harlem flop mockingly called the Hotel Splendour. There, his music out of style, his body failing, he thrives on memories of songs sung and women loved. Yet, as Hijuelos conveys with art and sympathy, the Mambo King is to be admired and envied as a man who squeezed the juice out of life before life squeezed the juice...

Author: /time Magazine | Title: Books: Hail Cesar | 8/14/1989 | See Source »

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