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What is impressive about Brazilian Girls and their songs is their ability to slide seamlessly between the different genres and languages. Where one moment you are pleasantly jerked around by immaculate dance bass, the next you are being sung a Spanish lullaby set to the most soothing electronic notes, or you feel as if you are sitting in a French club in the 1930s...

Author: By Andrew Nunnelly, CRIMSON STAFF WRITER | Title: CD Review: The Brazilian Girls, "Talk to La Bomb" | 10/19/2006 | See Source »

...years since its last overseas tour, the orchestra has been largely confined to the acoustically murky Sydney Opera House. By contrast, "Japan is full of fine concert halls," says violinist Dene Olding. "They make quite a science of the acoustics." Indeed, baritone soloist Jos? Carbo says he has never sung on a better stage than Tokyo's. "It was such a crisp, true rebound," he raves. With singing, he explains, "it's the monitoring of what you're hearing that molds what's coming out of your mouth. In halls where you're not getting anything back, you rely solely...

Author: /time Magazine | Title: Harmonic Convergence | 10/16/2006 | See Source »

...full and enthusiastic audience. On the anniversary of Bernstein’s death, this was a chance to celebrate his brilliance and the legacy he left here at Harvard.The concert opened with a Hebrew prayer, “Y’varech’cha,” sung by John D. Kapusta ’09. The singers and musicians emerged out of the darkness onstage and the focus moved from the mainstage up to the catwalk above where Arlo D. Hill ’08 sang the triumphant “A Simple Song.”These...

Author: By R. DEREK Wetzel, CONTRIBUTING WRITER | Title: Bernstein’s Legacy at Harvard Remains | 10/15/2006 | See Source »

...that the second half of the book and movie’s plot—Rob’s revisiting of his top five, all-time, desert island breakups—is condensed into one weak scene and approximately 30 seconds of musical interlude, during a song sung by the apparition of Bruce Springsteen. Hornby meditates on the nature of male self-centeredness and inability to grow up; Kitt and lyricist Amanda Green’s score simply lulls the audience into a bored stupor. (Quite literally, my date for the evening fell asleep before intermission...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: Let's Get It On? No, Let's Leave the Show | 10/12/2006 | See Source »

...High Fidelity” might have worked as a jukebox musical, like “Smokey Joe’s Café” or “Footloose,” in which popular tunes from the movie were sung by actors on stage. It might even have worked with a heavy dash of irony, in the vein of “Urinetown” or “Avenue Q,” self-conscious about the ridiculousness of musical theater. But instead, the minds behind “High Fidelity” attempt to make Hornby?...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: Let's Get It On? No, Let's Leave the Show | 10/12/2006 | See Source »

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