Word: sunlighting
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...flying and mind-reading Buffy's vampires are extra-strong, extra-tough and extra-surly Many: the usual strength and speed, plus acute hearing, no need for sleep WEAKNESSES An aversion to stakes, crosses, garlic, holy water and beheading Immune to garlic and stakes. But they do burn in sunlight They turn to dust when staked in the heart. Sunlight and holy water hurt too Not many. Your best bet is to cut one up and burn the pieces IF YOU MEET ONE... Run. Dracula is evil, persistent and hungry. And he likes the ladies Who knows? Rice's bloodsuckers...
...Hope National Medical Center in Los Angeles, also notes that these areas receive the most sun exposure. "The maximum sun exposure areas are to the scalp, face and neck," he says, "so it makes sense biologically that cancers here would be different from those in areas that rarely see sunlight...
...seen. Upstairs, a senior in a tight scarlet dress balanced on one foot to adjust her shoe as she stared at Albert Bierstadt’s 1863 “Lander’s Peak.” It was American manifest destiny at its finest: a ray of sunlight bursting through the clouds above a towering range of imaginary mountains. Her date slouched against a pillar nearby, his hands in his pockets. In front of him was a framed shipwreck chalked on brown paper. Another couple lounged between the Ionic columns, their chitchat dramatized by theatrically yellowed lighting. They...
When the Viscountess Felicity Fabreigh opened her eyes the following morning, she was still in deshabille. She lay there awhile on the floor, watching the specks of dust floating in the sunlight that streamed through the casement. The morning caressed her stomach and thighs, which, as they usually did, looked perfect. Her head ached. She could not form a coherent thought.But with consciousness came recollection, and the images of the night just past swarmed to confront her: the empty decanter of brandy, her dead turtle Orlando, and, looming above all else, he who had wronged her once again. She could...
...projected onto canvas, he produced "photographic" scenes of suburbia at its most prosaic, or of San Francisco streets at their most matter-of-fact and unpicturesque. It's customary now to compare him with Edward Hopper. Like Hopper, Bechtle has a gift for finding the melancholy note in sunlight itself, as well as for the abstract underpinnings of the world. In Six Houses on Mound Street, 2006, with its stark cubes and fretwork of painted crosswalks, the workaday scene seems to be held in place by the guy-wires of some enigmatic order...