Word: sunlights
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
There is no space here to describe more than a few of the iconic images which crowd the film: the old King's breath freezing in the chill sunlight of his vast hall, Hotspur's (Norman Rodway) peripatetic motion caught by a camera tracking in tight close-up, the gross Falstaff beside the cruelly emaciated Justice Shallow (Alan Webb), Doll Tearsheet (Jeanne Moreau) demonstrating how a tender and accomplished whore might satisfy an impossibly fat old patron. The Battle of Shrewsbury is simply the finest, truest, ugliest war footage ever shot and edited for a dramatic movie. Welles fills Falstaff...
Twelve years have passed, and though Youngerman has undoubtedly seen as much Manhattan smog as blinding sunlight in that time, he has progressed steadily toward realizing his Middle East-inspired ideals of clarity and voluptuousness in paint. The measure of his success may be taken from the 45 ink-and-acrylic paintings that go on view at Washington's Phillips gallery this week (see color opposite). His forms are abstract; but as the artist points out, the Arab also gilds his mosques and minarets with nonrepresentational decoration. Over the years, Youngerman has consistently enlarged, unloosed and simplified...
...herd of hairy simians chatters and skirmishes beside a water hole. It is, says the screen, "The Dawn of Man." But is it? From somewhere, a strange rectangular slab appears, gleaming in the primeval sunlight. Its appearance stimulates one of the simians to think for the first time of a bone as a weapon. Now he is man, the killer; the naked ape has arisen, and civilization is on its way. With a burst of animal spirits, the bone is flung into the air, dissolves into an elongated spacecraft, and aeons of evolution fall away. It is 2001, the epoch...
HARVARD SQUARE has been gripped, while you were away, by the sprinkling of Summer that passes for Spring around here. The winds are generous, gushing, the fading-blue sky spreads milky sunlight--and the humans below etch jaunty patterns...
...gets inside. The scene in the first hotel room is shot with a huge lens, making an unusual and effective flattening out--with Elvira, Sparre, the lamp, and the bed all in the same plane. The restaurant sequence, with Miss Degermark's face glowing gold from the slanting sunlight, is another fine piece of work...