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...first glance, a painting like Cake Window (Seven Cakes), 1970-76, might seem to reflect the familiar Warholian message of pop: uniformity within glut. But no. Its target is specificity, the peculiar qualities of fluorescent light (no less difficult to convey than those of sunlight or moonlight), the lush mortuary blue of the shadows, the buzzing glitter of the whites. Light is trapped in the dense paint, and Thiebaud extracts a lavish, slightly mocking sensuality from the pun between the depicted work of the cake icer--smearing those layers of sweet goo, drawing arabesques with the forcing...

Author: /time Magazine | Title: Art: A Rich, Feisty Eventfulness | 10/28/1985 | See Source »

Residents of the area, known as Mid Cambridge, had charged that a bridge spanning Broadway St. would reduce sunlight, create a traffic hazard, and in general, detract from the aesthetics of their densely crowded neighborhood...

Author: By Thomas J. Winslow, | Title: Still Trying to Bridge the Gap | 10/17/1985 | See Source »

...with a bang. According to the much debated theory proposed by the father-son team Luis and Walter Alvarez in 1980, an asteroid or comet slammed into the earth at the end of the Cretaceous period, 65 million years ago, spewing so much dust into the atmosphere that sunlight was blocked for months. Temperatures plummeted, plants withered, and many species, including the mighty dinosaurs, perished en masse...

Author: /time Magazine | Title: Science: Comet Fire:Did it doom the dinosaurs? | 10/14/1985 | See Source »

...winter would have lasted much longer than it would through obscuring dust alone. Most plants and large animals that survived the blast, the fire and the lethal clouds of carbon monoxide would have succumbed to the climatic changes. But smaller creatures could have slipped into caves and hibernated until sunlight returned and they emerged to repopulate the earth...

Author: /time Magazine | Title: Science: Comet Fire:Did it doom the dinosaurs? | 10/14/1985 | See Source »

Conversation is the only regular public entertainment in Casmalia. The town is a few dusty blocks set in the middle of spectacular golden foothills. The bright, bright sunlight is not flattering to Point Sal Road, the main street. Just off Point Sal stands a TV satellite dish nearly as big as its owners' trailer home. On the lot next door, a slack-bellied black horse eats greens. Early on a weekday afternoon, Casmalia is quiet but not silent: somewhere chickens crow, a toddler yelps, and Linda Ronstadt sings. "A lot of people don't like a town like this," says...

Author: /time Magazine | Title: Environment: Living, Dangerously, with Toxic Wastes | 10/14/1985 | See Source »

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