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...while exploring an area of hot volcanic geysers on the Pacific Ocean floor near the Galapagos Islands, scientists aboard the three-man submarine Alvin made a startling discovery. Though they were cruising at a depth of more than 1½ miles, where the absence of sunlight usually results in a barren sea bottom, they found a veritable oasis of life. Clustered around deep-ocean vents, they spotted giant clams, pale yellow mussels, white crabs and worms nearly 5 ft. long...

Author: /time Magazine | Title: Science: Strange Creatures of the Deep | 5/24/1982 | See Source »

Since then, scientific astonishment over the discovery has burgeoned. Unlike most terrestrial life, these creatures in the deep survive without the benefit of sunlight to supply energy or help create food supplies. Rather, they rely totally on the earth's internal heat. Explains Marine Microbiologist Holger Jannasch of the Woods Hole (Mass.) Oceanographic Institution, which operates the Alvin: "If the sun didn't shine any more, these deep-sea populations would still be growing, while we and all the green plants would die. They depend only on Mother Earth...

Author: /time Magazine | Title: Science: Strange Creatures of the Deep | 5/24/1982 | See Source »

...biggest danger the spikers faced was taking the tournament too lightly. After gaining a berth in the final, Palm's charges killed two hours tossing frisbees, eating at Burger King and bathing in the sunlight of the 75-degree...

Author: By Mike Knobler, | Title: Spikers Roll Over Opponents In New England Tournament | 4/26/1982 | See Source »

...clear sunlight...

Author: By Naomi L. Pierce, | Title: Savoring the Sunset | 4/20/1982 | See Source »

...early marine paintings were done under the partial spell of Ruisdael's sea pieces, his slim parallelograms of rusty sail leaning on the wind-chopped estuary. Most of all, John Constable was inspired by his sense of nature seen fresh, without evident convention: the patches of scudding sunlight on wheat fields, the broken arc of a rainbow, the painterly delight in filling three-quarters of a canvas with high piling clouds. Time and again, one sees images in Constable that might have been lifted straight from Ruisdael. Hadleigh Castle, 1829, with its tall split tower and ruins behind, virtually...

Author: /time Magazine | Title: Art: Opening a Path to Natural Vision | 3/29/1982 | See Source »

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