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Mass Graves. In the golden sunlight that followed the demonic storm, the survivors could see horrendous devastation on every side. Oceangoing ships were torn apart in the turbulent bay or driven aground and left stranded. Beaches and whole islands were strewn with bodies. On 13 small islands near Patuakhali, not a single human being was left alive. Paddies were blackened with salt water, the rice crop destroyed. "It looks like a graveyard with no sign of life," an official reported after flying over Hatia Island. At one village, when a newsman asked why hundreds of bodies had been left unburied...

Author: /time Magazine | Title: World: Pakistan: When The Demon Struck | 11/30/1970 | See Source »

...experimental plants were, in fact, descendants of the original strains that Borlaug had bred for his crusade against famine. Undisturbed by any scientific breeding techniques, wheat in tropical countries had evolved over the centuries into tall, thin-stemmed strains able to survive flooding and compete successfully with weeds for sunlight. But they are highly vulnerable to modern fertilizers, which cause them to become top-heavy with grain and topple over. To overcome that problem, Borlaug collected samples of a Japanese dwarf strain that had already been improved by a U.S. Agriculture Department scientist named Orville Vogel and crossed it with...

Author: /time Magazine | Title: Science: Sowing a Green Revolution | 11/2/1970 | See Source »

...decided only one photographer could really do it-Sven Nykvist, the artist who does Bergman's films. When he agreed I knew the picture would happen, and that it would work." Schell's instinct has proved infallible. Nykvist has filled the film with indelible imagery. The sunlight is a featured player of humor and warmth. Interiors seem to exhale melancholy. Weightless figures hover on the horizon and are swallowed...

Author: /time Magazine | Title: Cinema: Robust Sickness | 10/19/1970 | See Source »

...images, with their shifts of scale and razor-sharp exactitude, that leads some viewers to compare them to Surrealism. But surrealist imagery is, almost by definition, fantastic, whereas O'Keeffe's paintings insist that they are not dreams: the commonest object unfolds itself, seen awake in full sunlight. She is not a metaphorical artist (everything is what it is, and stands for nothing else), but her work is full of correspondences. There is not a nude in the show, not even a figure; yet her images are a rich and complex statement about female sexuality. All the other...

Author: /time Magazine | Title: Art: Loner in the Desert | 10/12/1970 | See Source »

Room 5 in Hollis Hall is under lock and key until later this month, when members of the Class of '74 will break it in all over again. Sunlight falls across the bare desk and plank floorboards like giant, felled sequoias. Ralph Waldo Emerson lived there in 1820, and he lives again these days, as does Henry David Thoreau in Hollis 23, where he roomed a decade later. Two doors down from him lived the early 20th century philosopher Santayana. John Hoyer Updike '54 spent freshman year in Hollis...

Author: By Thomas L. Connor, | Title: The Ghosts in the Ivory Tower: History Haunts Harvard Rooms | 9/24/1970 | See Source »

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