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There are so few images of people beyond the vulgar shapes of Pop that every figure you come across prints its plaintive face on your mind. Hollowness emanating like artificial sunlight from the doll-like people-the works of Hopper stand out from among the abstract pieces with haunting truthfulness. The only lyrical references to humanity emerge from the brush strokes of De Kooning and Kline-figures of paint both suggested and dissolved by a network of strokes. But the viewer of the vast rooms of abstraction feels the constant stares of the paintings reaching beyond their frames, asking...

Author: By Cyntiha Saltzman, | Title: At the Met New York Painting and Sculpture 1940-1970 at the New York Metropolitan Museum of Art until February 1. | 12/11/1969 | See Source »

Under a pitch-black sky, the Ocean of Storms presents an eerie face, its black shadows starkly contrasting with the blinding white reflection of early morning sunlight from the desolate, rock-strewn surface. The black-and-white monotony is broken only by the color brought to the moon by man-the golden insulating foil on Intrepid, (continued on page 41) the red and blue of the American flag, the golden reflection from the umbrella antenna-and the blues of the earth in the sky above...

Author: /time Magazine | Title: The Moon: A New View of the Ocean of Storms | 12/5/1969 | See Source »

...sent to the moon some 2½ years ago. In one shot, Astronaut Conrad is shown examining Surveyor as it stands in its crater. In the background, protruding above the crater's edge, only 600 ft. away, Intrepid and the nearby umbrella antenna gleam in the sunlight. To the dismay of scientists-who wanted to study the discoloration of Surveyor's white paint-all of the Surveyor pictures are in black and white; while photographing the little craft, the astronauts forgot to exchange their black-and-white film for color...

Author: /time Magazine | Title: The Moon: A New View of the Ocean of Storms | 12/5/1969 | See Source »

Eventually, the astronauts reached the southern rim of the 656-ft.-wide Surveyor Crater. Descending slowly, they walked to the Surveyor spacecraft. Except for a thin coating of lunar dust and white paint that may have turned tan in the intense sunlight, it had apparently been unharmed by its long exposure on the lunar surface. While Dean photographed the spacecraft, Conrad picked up some valuable souvenirs. First, he clipped off some of Surveyor's insulated TV cable, which had contained a known quantity of microorganisms when it left the earth; by examining the cable after it is returned...

Author: /time Magazine | Title: The Moon: BULL'S-EYE FOR THE INTREPID TRAVELERS | 11/28/1969 | See Source »

...long afterwards, people began to leave. The park beneath the Monument looked, in the early dusk, like a debris-strewn battlefield. But the Monument shone in the sunlight. Suddenly, as if they had erupted from some invisible door in its base, a huge crowd of black-jacketed demonstrators came charging down, waving NLF flags and chanting. "Revolution!! One More War!!" They surged past us, regrouped, and charged by one more time. They were very frightening. After a short rest, they headed off to the Justice Department, this time in a fast march...

Author: By Sandy Bonder, | Title: On the Far Side of the Monument | 11/20/1969 | See Source »

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