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...made it to the U.S. embassy compound next door. In the graveled courtyard, Olympio found a parked Plymouth sedan belonging to the embassy, and crawled in. There, in the early morning sunlight, he was spotted huddled beneath the steering wheel by one of the mutineers. Crying "All right, you have me!", Olympio surrendered and, prodded by rifle butts, was hustled down the driveway, past a mango tree and through the green gate. There he balked. Sergeant Etienne Eyadema, commander of the rebel detachment, later declared: "He could not stay there. There would have been demonstrations. He would not move...

Author: /time Magazine | Title: Togo: Death at the Gate | 1/25/1963 | See Source »

...beyond the wall into the sharp contrast of a peaceful and silent setting, and there is the gleaming Taj Mahal in front of you. Then you walk along the fabled pools, then up a dark stairway, so narrow you have to walk sideways. Finally you emerge again into the sunlight, and the Taj is so blinding you can barely see it. But you notice as you get closer the fine details and the wonderful inlays of marble." Some time later, Yamasaki visited Le Corbusier's High Court at Chandigarh, that completely new town built on the hot plains north...

Author: /time Magazine | Title: Art: The Road to Xanadu | 1/18/1963 | See Source »

...ingredients which must be added. Unquestionably there is delight in our best new buildings, but this delight is in structural clarity, in proportion, and in elegant details and materials, and these characteristics offer but a portion of the delight which we have experienced in the buildings of the past. Sunlight and shadow, form, ornament, the element of surprise are little-explored fields, barely understood by today's architects." Since then, Yamasaki has done his best to achieve "the joy of surprise - the experience of moving from a barren street through a narrow opening in a high wall to find...

Author: /time Magazine | Title: Art: The Road to Xanadu | 1/18/1963 | See Source »

When there is bright sunlight on the top of the light-colored dashboard and one side of the road is in deep shade, it is difficult to see through the glare into the shady area...

Author: /time Magazine | Title: Letters: Jan. 4, 1963 | 1/4/1963 | See Source »

When I drive under an elevated railroad or under shade trees, bright sunlight flashing in rapid intervals through the gaps between the ties of the railroad or the leaves of the trees creates an intolerable succession of bright and dark reflections. When I wrote to Detroit about this, the manufacturer replied ". . . We hesitate using darker colors on the dash because they do not complement the decor of the other trim...

Author: /time Magazine | Title: Letters: Jan. 4, 1963 | 1/4/1963 | See Source »

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