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Among the exhibits were a couple of canvases as sharp and literal as snapshots made in bright sunlight. The curious thing was that Bérard had painted them without models, purely from imagination. When he used a model, as in his portrait of a Parisian torch singer, Mlle. Damia, the literalness disappeared; Mlle. Damia was waxy, unsmiling, delicately pushed out of shape. A few months before he died, Bérard had portrayed himself sitting like a somewhat damp but proud Bacchus on a beach. The painting conveyed the subtlety of his seemingly careless draftsmanship and the atmospheric shimmer...

Author: /time Magazine | Title: Art: Bebe | 5/9/1949 | See Source »

...biggest Easter Parade in Manhattan's history; in the bright, brisk sunlight at noon perhaps a million people were gathered in one decorous, milling, well-dressed throng. Fifth Avenue, clear of buses and motorcars, was packed almost solid from St. Patrick's to St. Thomas', and great eddies of the crowd moved and flowed along streets and sidewalks for blocks around...

Author: /time Magazine | Title: THE NATION: The Easter Parade | 4/25/1949 | See Source »

...stone itself, so I suppose I'm trying to blend realism and abstraction, in a way." The translucent alabaster boulder he used for Subconscious was what gave Miller his idea for the figure itself: "I used to turn the boulder and look at it a lot, in the sunlight that came in from the garden window, and after a while it got so I could practically see what I wanted to carve-as if it were floating there inside the stone...

Author: /time Magazine | Title: Art: Swooping & Floating | 4/25/1949 | See Source »

...least bit - -of sunlight that filters through the skylight affects the squad's batting. Yesterday brought the first sublight in several days, and hitting showed a marked improvement...

Author: By Peter B. Taub, | Title: Nine Forming in Hothouse Climate | 3/18/1949 | See Source »

...filter between the outside and inside environments. For example, the wall of a factory in a hot climate should reflect outside heat and absorb inside heat, passing as much of it as possible to the outside. In a cold climate, the wall should gather all possible heat from the sunlight, while keeping inside heat from moving out. Modern materials, such as sheet metal, mineral wool and glass brick, allow the architects to design efficient "filter walls...

Author: /time Magazine | Title: Science: Better Housekeeping | 11/29/1948 | See Source »

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