Word: sunlights
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...effects are more commonly the results of its indiscriminate use, but may occur from an idiosyncrasy. . . . Fifteen per cent of patients cannot take large doses, and 10% are unable to tolerate it at all. Patients in bed tolerate larger doses than do those who are ambulatory. Patients exposed to sunlight are more apt than are others to develop a skin rash." The rash may resemble measles, scarlet fever or hives, and break out on the face, trunk or extremities. Slight poisoning by sulfanilamide causes headache, vomiting, dizziness, breathlessness. A person dying from an overdose of sulfanilamide becomes blue, has pains...
...Negro's instinct for self-preservation and an impersonal, unpredictable lynch machine. The sadistic, melodramatic physical details of his lynchings occur within an almost off-stage irrelevance. Their reality is the "white fog" of lynch terror which hangs over the Negro community, impenetrable to the brightest Southern sunlight. It is this central psychological core of Negro life in the Deep South, communicated in clear, unemotional prose, which gives Wright's stories their intensity, and a kind of impersonal eloquence in voicing the tragedy of his people...
...grapes, the village of Velrans likes sunlight; for its cabbages, the adjoining village of Longeverne likes rain. One day, centuries back, the peasant folk of the two villages set out for the same shrine to pray for their respective needs. Brisk words led to a brisk battle, and the prayers went unsaid. The feud is still being fought by 20th-century youngsters, even though the blonde schoolteacher (Claude May) at Velrans and the handsome mayor of Longeverne (Jean Murat) are more than willing to set an example in neighborly love. In the children's war, the most telling blow...
Clackety-clack, clackety-clack! The train was slowing down now, getting into Providence. Around the curves between the two hills of the city they swerved, and into the station. Queer place, Providence, the Vagabond thought. Old Roger Williams stood on top of the State House dome, gleaming in the sunlight. He was a man too good for Boston, and he'd had to leave. But under his effigy on the State House ruled men like Quinn and O'Hara. And they'd had a lot of trouble with a man named Dorr a hundred years...
John La Farge, whose Paradise Valley, Newport, painted in 1866-68, was a notable precursor of Impressionism in its analysis of sunlight...