Word: sunlights
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This plot chugs on parallel tracks, with flashbacks set in Charles' childhood. The career scenes are shot in high-contrast graininess, the early ones in a pellucid sunlight that Charles would soon lose sight of. Those vignettes--his brother drowning as Charles stands paralyzed, his mother sobbing heedlessly on the boy's coffin--have an indelible poignancy. On one radiant afternoon, Charles, now nearly blinded by glaucoma, listens to and memorizes the music of a cricket, a clopping horse and, breathing softly nearby, his mother. "I hear you too, Mama," the child says...
...tell you that on my way home from the exhibition, I stopped to look at the shadows formed on a patch of grass as the afternoon sun slanted through the branches of a young tree in the yard. The grass was still wet from a morning rain and the sunlight sparkled as it hit the water drops. I watched for a few moments as the branches shook and the shadows shifted. Then I reached up, grabbed a low-hanging branch, and gave it a tug. The lacy pattern of sunlight and shadow leapt and danced and the branch swung wildly...
...Conran, in all his shyness, is going to have to leave his computer for the first time in a decade. As he starts promoting the film, Conran is becoming less freaked out by things like interviews and sunlight. But the real shift in his life won't occur until later this month, when he has to go around the world to the various premieres for the film, seeing all the places he meticulously crafted on his computer but never actually visited, like Radio City Music Hall. And you just know, somehow, compared with the world he built, it's going...
...constructed images of street life, or what the photographer dubbed the "food for my camera." The ordinary soon became the fantastic, as Alvarez Bravo drew reverie from his subjects. He captured the pensive young girl on a balcony in The Daydream, a picture of longing, with the ray of sunlight brushing her shoulder as if singling her out. And Alvarez Bravo even managed to instill life into still life: in Laughing Mannequins, glamorous cardboard women appear smiling, while it's the real people in the image that lack life. The same is true in Cartier-Bresson's Barrio Chino...
...constructed images of street life, or what the photographer dubbed the "food for my camera." The ordinary soon became the fantastic, as Alvarez Bravo drew reverie from his subjects. He captured the pensive young girl on a balcony in The Daydream, a picture of longing, with the ray of sunlight brushing her shoulder as if singling her out. And Alvarez Bravo even managed to instill life into still life: in Laughing Mannequins, glamorous cardboard women appear smiling, while it's the real people in the image that lack life. The same is true in Cartier-Bresson's Barrio Chino...