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...perhaps of yours as well. Not all the people, all the time, but there is a tenderness, a loveliness that outlives our cruelty and stupidity. One can see it in an audience lost in a passage of Mahler's, or in a sudden, gaudy display of sunlight on a field. All the fear and self-absorption are wiped away, and in our blameless, dumb-struck faces lies the better story of the race. This too is who we are. This is who you are, whoever...

Author: /time Magazine | Title: A Letter To The Year 2100 | 1/1/2000 | See Source »

...mass multiplied by the speed of light squared, E=mc2. Although not exactly a recipe for an atomic bomb, it explained why one was possible. He also helped resolve smaller mysteries, such as why the sky is blue (it has to do with how the molecules of air diffuse sunlight...

Author: /time Magazine | Title: Who Mattered And Why | 12/31/1999 | See Source »

...very mind of God--had set off not one but four scientific revolutions--in mathematics (he invented the calculus, as did Leibniz in Germany, independent of Newton), in optics (he invented the reflecting telescope, and his experiments with spectrums established the nature of color and the heterogeneous components of sunlight), in mechanics (his three laws of motion changed the world) and with his understanding of gravity. The last explained the phenomena of heaven and earth in a single mathematical system--or did until Einstein arrived...

Author: /time Magazine | Title: 17th Century: Isaac Newton (1642-1727) | 12/31/1999 | See Source »

...English Patient-- and he treats Tom Ripley's tale like David Lean on an epic bender. The thriller story becomes woven into a gorgeous, glorious travelogue through the high points of Italian sightseeing, circa 1957. And, I'll admit, I'm a sucker for a pretty shot of Roman sunlight...

Author: By Jared S. White, CRIMSON STAFF WRITER | Title: Doom with a View -- Sexual Confusion! Serial Muder! All in the life of The Talented Mr.Ripley | 12/17/1999 | See Source »

Rockwell could. He knew how a few brushstrokes can mimic wet hair, effulgent sunlight, gunmetal, crinoline, catsup, cardboard, painted brick and polished linoleum. And he got those effects without losing sight of the muddy pleasure of pigment itself, a fundamental notion of modern painting. In a few inches of sailcloth or the slip worn by his Girl at Mirror, he could put white paint through as many adventures as Robert Ryman does in his snow-flurry abstractions. As for his pieties, they turn out sometimes to be the same ones fundamental to civil society. By nothing less than an actual...

Author: /time Magazine | Title: Art: The Innocent Abroad | 12/6/1999 | See Source »

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