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...without the canny direction of Jacques Audiard and the appealing work of Romain Duris as the muscle man-musician. His efforts to reclaim himself are told with irony, a touch of almost unspoken romance and surprising, but plausible, results as the movie moves from noirish darkness to the more sunlit realms of artistic aspiration...

Author: /time Magazine | Title: Best of 2005: Richard Schickel's Best Movie Picks | 12/17/2005 | See Source »

...Auckland redevelopment. With the original 1887 French chateau?style building overrun by storage and an unwieldy airconditioning system, Francis-Jones was faced with a similarly tricky heritage site. His solution has been to restore the existing spaces and double their area with what he calls a "hovering canopy" of sunlit new galleries running off a central atrium to the north; he likens it to "an architectural forest." It's one director Saines hopes will give a fuller picture of New Zealand and international art than the gallery has been allowed to show before...

Author: /time Magazine | Title: Finding Their Inner Spring | 9/27/2005 | See Source »

...extra lucky. But this is the second-to-last book in the series, and for all the fun, the mood is darkening. You can't help but feel that Rowling is trotting out the fan favorites--your Tonks, your Luna, your Buckbeak, your Fred and George--for a final sunlit outing before chaos overtakes Harry. Having carefully built a cozy fictional universe over five previous books, Rowling has the task of tearing it apart, and there are several tableaux of genuinely surreal horrors, including a vicious werewolf (not at all cuddly like Lupin). The book ends with a shockingly violent...

Author: /time Magazine | Title: Books: Love Potions and Tragic Magic | 7/17/2005 | See Source »

...beams of sunlight burst through the window; it is the visual counterpart of the organ chord that greeted Marianne as she entered. Later there's a privileged moment when Karin is told of a career opportunity and the ecstasy of anticipation briefly floods her face, as radiant as that sunlit church. Bergman keeps energizing Saraband with such touchstones; he builds the edifice of the film on this latticework. And these superb actors - three veteran colleagues, one (Dufvenius) a newcomer in the great tradition of Bergman ingenues - give the characters sinew and subtlety...

Author: /time Magazine | Title: That Old Feeling: To Liv With Bergman | 7/10/2005 | See Source »

...were clumsier. In Picnic, Kim Novak and William Holden knelt beside the railroad tracks and kissed as a train thundered out of the tunnel. Elsewhere the censorship of the Hays office produced kisses that culminated in horses rearing, waves crashing, flames leaping. Or the camera would cut heavenward through sunlit trees...

Author: /time Magazine | Title: Essay: Changing the Signals of Passion | 6/21/2005 | See Source »

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